Citation: A. Wesemann, FILM ESSAYS BY HARTEL,HEIDE,MARIE (3RD TELE-TANZJOURNAL PRODUCED FOR 3SAT, A NETWORK SERVING 3 COUNTRIES), Ballett international, Tanz aktuell, (4), 1998, pp. 16-16
Citation: H. Regitz, FLAMENCO (SAURA,CARLOS DOCUMENTS DANCE FORM IN HIS LATEST WORK FOR THE CAMERA), Ballett international, Tanz aktuell, (4), 1998, pp. 17-17
Citation: I. Mylo, SIDESTEPS (CHAN,CHAKIE AND KELLEY,GENE, A QUICK HEAD OVER HEELS AND DANCING AND SLOSHING HIS HEART OUT), Ballett international, Tanz aktuell, (4), 1998, pp. 17-17
Citation: B. Milz, SIDE LEAPS, QUANTUM LEAPS - HOW AN ACTOR MOVES ON STAGE - CHOREOGRAPHERS AND MUSICIANS BRING A NEW SENSE OF FORM TO THE THEATER, Ballett international, Tanz aktuell, (4), 1998, pp. 20-23
Citation: A. Wesemann, SCHLOMER,JOACHIM - IT HAS TO FLOW (HOW A CHOREOGRAPHER AS DIRECTOR MAKES A DRAMA WORK, REHEARSING FOR 'PARZIFAL'), Ballett international, Tanz aktuell, (4), 1998, pp. 24-27
Citation: K. Witzeling, PUSCH,JAN - THE SILENCE OF THE ROLES (HOW THE HAMBURG CHOREOGRAPHER LEARNS FROM ACTOR CYRAN,ULRICH), Ballett international, Tanz aktuell, (4), 1998, pp. 28-29
Citation: H. Regitz et D. Cardyn, CARDYN,DARIE - IM A STAGE PERSON (AN INTERVIEW WITH THE DANCER AND ACTRESS), Ballett international, Tanz aktuell, (4), 1998, pp. 32-33
Citation: G. Siegmund, IN THE REALM OF SIGNS - BEL,JEROME (CHOREOGRAPHY CONCERNING A NEW BODY-IMAGE), Ballett international, Tanz aktuell, (4), 1998, pp. 34-37
Citation: J. Odenthal, DANCE OF THE SHAMANS - BODY ARTS IN KOREA (AN INTRODUCTION TO THE COUNTRY DANCE CULTURE), Ballett international, Tanz aktuell, (4), 1998, pp. 38-41
Citation: J. Odenthal, THE WEDDING OF THE ANCESTORS - AN OVERVIEW OF THE KOREAN DANCE SCENE (TRADITIONAL, BALLET AND MODERN-DANCE, CONTEMPORARY AND THE AVANT-GARDE), Ballett international, Tanz aktuell, (4), 1998, pp. 42-47
Citation: J. Meinhardt, THE SACRIFICE - 'SIKKIM FOR THE LIVING' (LEE HYAN-WHAS 'SAN SIKKIM', KOREAN RITUAL THEATRE), Ballett international, Tanz aktuell, (4), 1998, pp. 50-51