Citation: T. Heller, TEXTUAL SEDUCTIONS - WOMENS READING AND WRITING IN OLIPHANT,MARGARET THE 'LIBRARY WINDOW', Victorian literature and culture, 25(1), 1997, pp. 23-37
Citation: Jb. Lamb, TURNING THE INSIDE-OUT - MORALS, MODES OF LIVING, AND THE CONDITION OF THE WORKING-CLASS, Victorian literature and culture, 25(1), 1997, pp. 39-52
Citation: W. Xu, THE OPIUM TRADE AND 'LITTLE DORRIT' - A CASE OF READING SILENCES (DICKENS,CHARLES), Victorian literature and culture, 25(1), 1997, pp. 53-66
Citation: G. Willinghammclain, DARWIN EYE OF REASON - NATURAL-SELECTION AND THE MATHEMATICAL SUBLIME, Victorian literature and culture, 25(1), 1997, pp. 67-85
Citation: D. Ogden, THE ARCHITECTURE OF EMPIRE - ORIENTAL GOTHIC AND THE PROBLEM OF BRITISH IDENTITY IN RUSKIN VENICE, Victorian literature and culture, 25(1), 1997, pp. 109-120
Citation: S. Gilmartin, THE SATI, THE BRIDE, AND THE WIDOW - SACRIFICIAL WOMAN IN THE 19TH-CENTURY, Victorian literature and culture, 25(1), 1997, pp. 141-158
Citation: R. Salmon, SIGNS OF INTIMACY - THE LITERARY CELEBRITY IN THE AGE OF INTERVIEWING(VICTORIAN LITERATURE), Victorian literature and culture, 25(1), 1997, pp. 159-177
Citation: J. Wilt, POETS, CRITICS, AND GOD-TALK (DEATH, WOMEN, SEXUALITY, VICTORIAN LITERATURE), Victorian literature and culture, 25(1), 1997, pp. 181-190
Citation: C. White, THE METAPHORS OF HOMOSEXUAL COLONIALISM AND TOURISM -EMPIRE, 19TH-CENTURY ENGLAND, ORIENTALISM, CROWLEY,ALEISTER, SYMONDS,JOHN,ADDINGTON, ROLFE,FREDERICK( BRITISH), Victorian literature and culture, 23, 1995, pp. 1-22
Citation: K. Wilson, MUSIC-HALL LONDON -MUSIC - THE TOPOGRAPHY OF CLASS SENTIMENT( VICTORIAN AND EDWARDIAN ENGLAND, POPULAR), Victorian literature and culture, 23, 1995, pp. 23-35
Citation: J. Smith, HEAT AND MODERN THOUGHT - THE FORCES OF NATURE IN 'OUR MUTUAL FRIEND'( DICKENS,CHARLES ), Victorian literature and culture, 23, 1995, pp. 37-69
Citation: A. Frazier, GOOD COPY - MOORE,GEORGE AND THE ART OF THE LITERARY CONTROVERSY( VICTORIAN LITERARY JOURNALISM ), Victorian literature and culture, 23, 1995, pp. 71-87
Citation: Rd. Johnston, NARRATIVE DIVERSION IN 'SHIRLEY', OR THE PERVERSION OF FETISHISM + BRONTE,CHARLOTTE, Victorian literature and culture, 23, 1995, pp. 89-116
Citation: R. Parkingounelas, SPEAKING LIKENESS, AND DIFFERENCES - THE PROSE FANTASIES OF ROSSETTI,CHRISTINA( VICTORIAN LITERATURE ), Victorian literature and culture, 23, 1995, pp. 147-157
Citation: F. Boos, THE SOCIALIST NEW-WOMAN AND MORRIS,WILLIAM THE 'WATER OF THE WONDROUSISLES', Victorian literature and culture, 23, 1995, pp. 159-175
Citation: F. Buffoni, BEERBOHM,MAX - THE VIOLENCE OF THE WAX MASK( VICTORIAN LITERATURE, GAY STUDIES ), Victorian literature and culture, 23, 1995, pp. 177-191
Citation: S. Smulders, MEDICATED-MUSIC - BROWNING,ELIZABETH,BARRETT 'SONNETS FROM THE PORTUGUESE', Victorian literature and culture, 23, 1995, pp. 193-213
Citation: J. Kahn, DISRUPTION AND DISCLOSURE - WOMENS ASSOCIATIONS IN MARTINEAUX,HARRIET'DEERBROOK'( VICTORIAN FEMINIST WRITING ), Victorian literature and culture, 23, 1995, pp. 215-231
Citation: C. Roberts, BLINDING TEXTS - THE MEDUSOID FACE OF THE SIGNIFIER IN 'AURORA LEIGH'( BROWNING,ELIZABETH,BARRETT, VICTORIAN POETRY ), Victorian literature and culture, 23, 1995, pp. 233-238
Citation: M. Spiegel, UNFELT FEELINGS - AN EVOLVING GRAMMAR OF HIDDEN MOTIVES( HISTORY OF EMOTION, DICKENS,CHARLES, MACKENZIE,HENRY, VICTORIAN LITERATURE ), Victorian literature and culture, 23, 1995, pp. 241-273