Citation: R. Behrens, MUSICAL COLLABORATION BETWEEN THE PIANIST BAUMANN,CHRISTOPH AND THE SWISS PERCUSSION GROUP SCHWEIZER-SCHLAGZEUG-ENSEMBLE, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 21-21
Citation: Pn. Wilson et T. Oxley, PULSE BEAT OF FREEDOM - AN INTERVIEW WITH THE PERCUSSIONIST OXLEY,TONY, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 28-31
Citation: C. Wagner et G. Hemingway, AN INTERVIEW WITH THE MODERN JAZZ PERCUSS IONIST HENIGWAY,GERRY ABOUTTHE POWER OF DRUMMING, THE MAGIC OF SWINGS AND INTERACTIVE MUSIC ELECTRONICS, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 32-33
Citation: F. Kampfer, 10TH ANNIVERSARY OF 2 MAJOR CD LABELS IN GERMAN CONTEMPORARY-MUSIC - THE DEUTSCHE-MUSIKRAT AND WERGO, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 44-45
Citation: Wm. Grimmel et E. Brown, AN INTERVIEW WITH BROWN,EARLE, AMERICAN C OMPOSER, REPRESENTATIVE OF THE NEW-YORK SCHOOL OF MUSIC, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 46-51
Citation: L. Lesle, THE 1996 ANNUAL-MEETING OF THE INTERNATIO NAL SOCIETY FOR CONTEMPORARY-MUSIC (ISCM) HELD IN COPENHAGEN, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 61-61
Citation: D. Kosterke, 8TH HUMANOISE CONGRESS (FESTIVAL OF CONTE MPORARY IMPROVISATION MUSIC) HELD IN WIESBADEN, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 63-63
Citation: M. Struck, RARELY PERFORMED MASTERPIECES OF PIANO MU SIC, 10TH ANNIVERSARY OF THE SUMMER MUSIC SERIES IN HUSUM, GERMANY, Neue Zeitschrift fur Musik, 157(6), 1996, pp. 64-64