Citation: S. Feeser, 'CANTO DAMORE KLASSIZISTISCHE MODERNE IN MUSIK UND BILDENDER KUNST, 1914-1935', Neue Zeitschrift fur Musik, 157(4), 1996, pp. 69-69
Citation: E. John, OUTLAWED MUSIC - COMPOSERS IN OUR CENTURY DICTATORSHIPS - GERMAN - BRAUN,J, KARBUSICKY,V, HOFFMANN,HT, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 76-77
Citation: T. Phleps, MUSIC DURING THE 1933-1945 EMIGRATIONS - PERSECUTIONS, EXPULSIONS, REPERCUSSIONS - GERMAN - WEBER,H, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 77-78
Citation: B. Vonderluhe, ORPHEUS IN EXILE - THE PLIGHT OF AUSTRIAN MUSIC, 1938-1945 - GERMAN -PASS,W, SCHEIT,G, SVOBODA,W, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 78-79
Citation: V. Roseler, HITLER AT THE OPERA - MUSICAL LIFE IN GER MANY, 1919-1945 - GERMAN - WALTER,M, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 79-80
Citation: P. Fiebig, MAHNKOPF REVIEW OF SEIWERT 'BEETHOVEN-SZE NARIEN, THOMAS MANNS DOKTORFAUSTUS UND ADORNOS BEETHOVEN-PROJEKT' - COMMENT, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 82-82
Citation: M. Gielen, MAHNKOPF REVIEW OF SEIWERT 'BEETHOVEN-SZE NARIEN, THOMAS MANNS DOKTORFAUSTUS UND ADORNOS BEETHOVEN-PROJEKT' - COMMENT, Neue Zeitschrift fur Musik, 157(4), 1996, pp. 82-82