Citation: M. Hollington, NARCISSUS TRANSFORMED - THE TEXTUAL SUBJECT IN PSYCHOANALYSIS AND LITERATURE - KOCHHARLINDGREN,G, A.U.M.L.A., (88), 1997, pp. 110-114
Citation: M. Hollington, CRITICAL-THEORY AND THE NOVEL - MASS SOCIETY AND CULTURAL CRITICISM IN DICKENS, MELVILLE AND KAFKA - SUCHOFF,D, A.U.M.L.A., (88), 1997, pp. 110-114
Citation: Nm. Leov, PSYCHOANALYTICAL TECHNIQUES - INITIATION, IMAGES OF WOMEN IN THE WORKS OF JOUVE,PIERRE,JEAN - FRENCH - BONHOMME,B, A.U.M.L.A., (88), 1997, pp. 116-118
Citation: Nm. Leon, CRITICAL-READING OF THE NOVELS OF JOUVE,PIERRE,JEAN - NARCISSUS IN SEARCH OF HIMSELF - FRENCH - POZA,S, A.U.M.L.A., (88), 1997, pp. 116-118
Citation: R. Fisher, PRIEST KONRAD 'SONG OF ROLAND', TRANSLATED AND WITH AN INTRODUCTION -KONRAD-PFAFFE, THOMAS,JW, A.U.M.L.A., (88), 1997, pp. 120-122
Citation: G. Trabing, MANN,THOMAS - 'ON MYSELF' AND OTHER PRINC ETON LECTURES - AN ANNOTATED EDITION BASED ON MANN LECTURE TYPESCRIPTS - BADE,JN, MANN,T, A.U.M.L.A., (88), 1997, pp. 122-123
Citation: G. Trabing, DIE 'BETROGENE AUS NEUER SICHT' - THE AUT OBIOGRAPHICAL BACKGROUND FOR MANN,THOMAS LAST STORY - GERMAN - BADE,JN, A.U.M.L.A., (88), 1997, pp. 122-123