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Results: 1-25/95
Authors:
Bacht, N
Citation: N. Bacht, Enlightenment from afar - The structural analogy of myth and music according to Claude Levi-Strauss, ACT MUSIC, 73(1), 2001, pp. 1-20
Authors:
Haines, J
Citation: J. Haines, Musicological genealogies - The origins of a science of music around 1900, ACT MUSIC, 73(1), 2001, pp. 21-44
Authors:
Braunschweig, K
Citation: K. Braunschweig, Genealogy and 'Musica Poetica' in seventeenth- and eighteenth-century theory, ACT MUSIC, 73(1), 2001, pp. 45-75
Authors:
Grier, J
Citation: J. Grier, The Mothers of Invention and 'Uncle Meat' - Alienation, anachronism and a double variation, ACT MUSIC, 73(1), 2001, pp. 77-95
Citation: Repertoire-International-des-Sources-Musicales (RISM) (International bibliography of musical sources), ACT MUSIC, 73(1), 2001, pp. 97-100
Authors:
Chegai, A
Citation: A. Chegai, On the development of perception - Abramo Basevi and the psychological foundations of harmony, ACT MUSIC, 72(2), 2000, pp. 121-143
Authors:
Baldassarre, A
Citation: A. Baldassarre, Johannes Brahms and Johannes Kreisler - Creativity and aesthetics of the young Brahms illustrated by the 'Piano Trio in B-major' Opus 8, ACT MUSIC, 72(2), 2000, pp. 146-167
Authors:
Rehding, A
Citation: A. Rehding, Liszt and the search for the "TrisZtan"-chord, ACT MUSIC, 72(2), 2000, pp. 169-188
Authors:
Van Leeuwen, A
Citation: A. Van Leeuwen, Winfried Zillig (1905-1963): Die 'Verlobung in St. Domingo' - Analysis andinterpretation of a forgotten radio opera, ACT MUSIC, 72(2), 2000, pp. 189-218
Authors:
Stilwell, RJ
Citation: Rj. Stilwell, 'Sense & Sensibility' - Form, genre, and function in the film score, ACT MUSIC, 72(2), 2000, pp. 219-240
Authors:
Vendrix, P
Citation: P. Vendrix, A century of 'Acta Musicologica' - Editorial, ACT MUSIC, 72(1), 2000, pp. 1-5
Authors:
Stras, L
Citation: L. Stras, 'Onde-havra-'I-mond'-esempio-et-vera-historia' - Musical echoes of Henri III's progress through Italy, ACT MUSIC, 72(1), 2000, pp. 7-41
Authors:
Keefe, SP
Citation: Sp. Keefe, Antoine Reicha's 'Dialogue': The emergence of a theoretical concept (Music, meaning theory), ACT MUSIC, 72(1), 2000, pp. 43-62
Authors:
De Benedictis, AI
Citation: Ai. De Benedictis, 'Qui-forse-una-cadenza-brillante' - The fortunes of Bruno Maderna's 'Venetian Journal', ACT MUSIC, 72(1), 2000, pp. 63-105
Authors:
Frohlich, P
Wallbott, HG
Citation: P. Frohlich et Hg. Wallbott, A new look at a musical model of expression of joy and sorrow by means of musical content analysis, ACT MUSIC, 72(1), 2000, pp. 107-119
Authors:
Jungmann, I
Citation: I. Jungmann, The power of music - Music theory and the Carolingian power structure, ACT MUSIC, 71(2), 1999, pp. 83-125
Authors:
Otto, V
Citation: V. Otto, "Glaube-an-den-Suden" - Friedrich Nietzsche's music aesthetics, ACT MUSIC, 71(2), 1999, pp. 126-135
Authors:
Stoessel, J
Citation: J. Stoessel, Symbolic innovation: The notation of Jacob de Senleches, ACT MUSIC, 71(2), 1999, pp. 136-164
Authors:
Huglo, M
Citation: M. Huglo, Studies on the life and work of Franco of Cologne (13th century German theorist of music), ACT MUSIC, 71(1), 1999, pp. 1-18
Authors:
Karp, T
Citation: T. Karp, Evaluating performances and editions of Aquitanian polyphony, ACT MUSIC, 71(1), 1999, pp. 19-49
Authors:
Lippus, U
Citation: U. Lippus, Baltic music history writing: Problems and perspectives, ACT MUSIC, 71(1), 1999, pp. 50-60
Authors:
Pavanello, A
Citation: A. Pavanello, Corelli between Scarlatii and Lully: A new source of the sonata 'WoO2', ACT MUSIC, 71(1), 1999, pp. 61-75
Authors:
Tischler, H
Citation: H. Tischler, On modality in trouvere melodies, ACT MUSIC, 71(1), 1999, pp. 76-86
Authors:
Erauw, W
Citation: W. Erauw, Canon formation: some more reflections on Lydia Goehr's 'Imaginary Museum of Musical Works', ACT MUSIC, 70(2), 1998, pp. 109-115
Authors:
Federhofer, H
Citation: H. Federhofer, An essay on the aesthetics of new music of the 20th century, ACT MUSIC, 70(2), 1998, pp. 116-132