Citation: C. Nakuma, Cognitive dissonance reduction strategies by black intellectuals in the diaspora: A psycholinguistic exploration of negritude and Afrocentrism, CLA J, 43(2), 1999, pp. 167-180
Citation: R. Wakefield, 'Two look at two': What we bring and what we find (A critical approach to Robert Frost's poem), CLA J, 43(2), 1999, pp. 229-242
Citation: Ba. Mccabe, Eve: Victim, villain, or vehicle? The forewarnings and prefiguration of the fall in 'Paradise lost', CLA J, 43(1), 1999, pp. 73-88
Citation: Ca. Wade, African-American aesthetics and the short fiction of Eric Walrond: 'Tropicdeath' and the Harlem renaissance, CLA J, 42(4), 1999, pp. 403-429
Citation: Jc. Jones, Finding a way to listen: The emergence of the hero as an artist in James Baldwin's 'Sonny's blues', CLA J, 42(4), 1999, pp. 462-482
Citation: Dr. Anderson, The co-opted voice: Politics, history, and self-expressions in James Baldwin's 'Journey to Atlanta', CLA J, 42(3), 1999, pp. 273-289