Citation: Tl. Helton, "What was said and what was left unsaid": 'Black Boy' as survival guide for a Black man and artist (Richard Wright), CLA J, 42(2), 1998, pp. 147-163
Citation: Sa. Spenser, Swerving at a different angle and flying in the face of tradition: Excavating the homoerotic subtext in 'Home to Harlem' (Claude McKay), CLA J, 42(2), 1998, pp. 164-193
Citation: Jj. Davis, Dialogues with Guinea: A survey of Equatorial Guinean literature of Spanish expression through interviews with its writers, CLA J, 42(2), 1998, pp. 253-257
Citation: Je. Tidwell, ALTERNATIVE CONSTRUCTIONS TO BLACK ARTS AUTOBIOGRAPHY - DAVIS,FRANK,MARSHALL AND 1960S COUNTERCULTURE, CLA journal, 41(2), 1997, pp. 147-160