Citation: P. Spillenger, THE METAMORPHOSIS OF MUSORNO - A NOTE ON CHAUCER,GEOFFREY TRANSLATIONOF 'FILOSTRATO' (I,54) IN 'TROILUS AND CRISEYDE' (I,526-532), The Chaucer review, 29(4), 1995, pp. 348-351
Citation: H. Chickering, FORM AND INTERPRETATION IN THE ENVOY TO THE 'CLERKS TALE' + CHAUCER,GEOFFREY 'CANTERBURY TALES', The Chaucer review, 29(4), 1995, pp. 352-372
Citation: Jh. Morey, THE SO-CALLED CULTURE (COULTER) IN THE 'MILLERS TALE' - ALISON AS ISEULT( CHAUCER,GEOFFREY 'CANTERBURY TALES' ), The Chaucer review, 29(4), 1995, pp. 373-381
Citation: A. Scott, CONSIDERYNGE-THE-BESTE-ON-EVERY-SYDE - ETHICS, EMPATHY, AND EPISTEMOLOGY IN THE 'FRANKLINS TALE'( CHAUCER,GEOFFREY 'CANTERBURY TALES' ), The Chaucer review, 29(4), 1995, pp. 390-415
Citation: Cp. Collette, HEEDING THE COUNSEL OF PRUDENCE - A CONTEXT FOR THE 'TALE OF MELIBEE'( CHAUCERIAN FEMALE COURTESY LITERATURE AND CRITICISM OF CONTEMPORARY MEDIEVAL CHIVALRIC VALUES IN THE 'CANTERBURY TALES' ), The Chaucer review, 29(4), 1995, pp. 416-433
Citation: Pg. Beidler, CARTWRIGHT,WILLIAM, IRVING,WASHINGTON, AND THE TRUTH - A SHADOW ALLUSION TO CHAUCER,GEOFFREY 'CANONS YEOMANS TALE', The Chaucer review, 29(4), 1995, pp. 434-439
Citation: E. Narinvancourt, THE 'SIEGE OF JERUSALEM' AND AUGUSTINIAN HISTORIANS - WRITING ABOUT JEWS IN 14TH-CENTURY ENGLAND, The Chaucer review, 29(3), 1995, pp. 227-248
Citation: S. Ellis, THE DEATH OF THE 'BOOK OF THE DUCHESS' + AN EXAMINATION OF MANUSCRIPTTITLE DISCREPANCIES CONCERNING THE 'LEGEND OF GOOD WOMEN' BY CHAUCER,GEOFFREY, The Chaucer review, 29(3), 1995, pp. 249-258
Citation: Dv. Steinberg, WE DO USEN HERE NO WOMEN FOR TO SELLE - EMBODIMENT OF SOCIAL PRACTICES IN 'TROILUS AND CRISEYDE'( EXPLORING SEXUAL AND SOCIAL SPACES IN THEPOETICAL WORKS OF CHAUCER,GEOFFREY ), The Chaucer review, 29(3), 1995, pp. 259-273
Citation: Lf. Hodges, COSTUME RHETORIC IN THE KNIGHTS PORTRAIT -CENTURY CHIVALRIC GENRES - CHAUCER,GEOFFREY EVERY-KNIGHT AND HIS SO-CALLED BISMOTERED-GYPON( AN EXAMINATION OF THE SPIRITUAL AND SECULAR STATE OF PILGRIMAGE ALLEGORY AND HISTORIC REALITY IN LATE 14TH), The Chaucer review, 29(3), 1995, pp. 274-302
Citation: Mf. Braswell, CHAUCER,GEOFFREY PALIMPSEST -CENTURY STORYLINES - JUDAS-ISCARIOT AND THE 'PARDONERS TALE'( ICONOGRAPHICAL USAGE OF BIBLICAL LEGENDS IN 14TH), The Chaucer review, 29(3), 1995, pp. 303-310
Citation: Jc. Boswell et Sw. Holton, REFERENCES TO THE 'CANTERBURY TALES' + A CHAUCERIAN BIBLIOGRAPHICAL CANON, The Chaucer review, 29(3), 1995, pp. 311-336
Citation: Jd. Zatta, CHAUCER,GEOFFREY MONK - A MIGHTY HUNTER BEFORE THE LORD( REGARDING THE NATURE OF MONARCHY AND THE TYRANT AND THE ROLE OF THE MONASTIC ORDERS IN ROYAL ADMINISTRATION ), The Chaucer review, 29(2), 1994, pp. 111-133
Citation: Rw. Fehrenbacher, A 'YEERD ENCLOSED AL ABOUTE' - LITERATURE AND HISTORY IN THE 'NUNS PRIESTS TALE'( SOCIAL AND HISTORICAL DIMENSIONS AS CONFIGURED BY CHAUCER,GEOFFREY IN THE 'CANTERBURY TALES' ), The Chaucer review, 29(2), 1994, pp. 134-148
Citation: A. Spearman, HOW HE SYMPLICIUS-GALLUS -NAMES THROUGHOUT THE PROLOGUE TO THE 'WIFE OF BATHS TALE' IN THE 'CANTERBURY TALES' BY CHAUCER,GEOFFREY - ALISON-OF-BATH NAME-CALLING OR THE SO-CALLED TAMING-OF-THE-SHREWED( AN INVESTIGATION OF THE MANIPULATION OF PROPER), The Chaucer review, 29(2), 1994, pp. 149-162
Citation: W. Stephenson, THE ACROSTIC FICTIO IN HENRYSON,ROBERT THE 'TESTAMENT OF CRESSEID' (LINES-58-63) -CENTURY MIDDLE-SCOTS POETRY( A CHAUCERIAN PRECEDENT OF FEIGNING PRIOR AUTHORITY IN 15TH), The Chaucer review, 29(2), 1994, pp. 163-165