Citation: Wf. Woods, PRIVATE AND PUBLIC SPACE IN THE 'MILLERS TALE' + MERGING METAPHORS OFPERSONAL, DOMESTIC, AND SOCIETAL DOMAINS IN THE CONCENTRIC NARRATIVE MOVEMENT OF THE 'CANTERBURY TALES' BY CHAUCER,GEOFFREY, The Chaucer review, 29(2), 1994, pp. 166-178
Citation: Ta. Van, FALSE TEXTS AND DISAPPEARING WOMEN IN THE 'WIFE OF BATHS PROLOGUE' AND TALE + AN ANALYSIS OF THE THEMATIC DEVELOPMENT OF CONTRADICTION AND ANOMALY BETWEEN TELLER AND TALE IN THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY, The Chaucer review, 29(2), 1994, pp. 179-193
Citation: Mm. Pelen, MURDER AND IMMORTALITY IN FRAGMENT-VI(C) OF THE 'CANTERBURY TALES' - CHAUCER,GEOFFREY TRANSFORMATION OF THEME AND IMAGE FROM THE 'ROMAN DE LA ROSE', The Chaucer review, 29(1), 1994, pp. 1-25
Citation: Cr. Daileader, THE THOPAS-MELIBEE-SEQUENCE AND THE DEFEAT OF ANTIFEMINISM + A DISSECTION OF THE GENDERED HERMENEUTIC OF SEXUAL VIOLENCE AND PATRIARCHAL AUTHORITY IN THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY, The Chaucer review, 29(1), 1994, pp. 26-39
Citation: M. Connolly, CHAUCER AND CHESS + AN EXPLANATION OF THE CONVENTIONS OF MEDIEVAL CHESS AND EUROPEAN ROMANCE LITERATURE, The Chaucer review, 29(1), 1994, pp. 40-44
Citation: Jr. Andreas, WORDES-BETWEENE -CALLED LITERARY LINKS BETWEEN THE NARRATIVES IN THE 'CANTERBURY TALES' - THE RHETORIC OF THE CANTERBURY LINKS( INSIGHTS ONTHE DIALOGICAL NATURE OF CHAUCER POETRY THROUGH SO), The Chaucer review, 29(1), 1994, pp. 45-64
Citation: Df. Pigg, REFIGURING MARTYRDOM - CHAUCER,GEOFFREY PRIORESS AND HER TALE( AN EXAMINATION OF THE SEMIOTIC UNDERSTANDING OF MARTYRDOM FROM THE WRITINGS OF THE CHURCH FATHERS AS PARALLELED IN THE 'CANTERBURY TALES' ), The Chaucer review, 29(1), 1994, pp. 65-73
Citation: Rw. Ireland, CHAUCER,GEOFFREY TOXICOLOGY -HISTORICAL TREATMENT OF POISONING WITHINTHE 'CANTERBURY TALES'( AN EXAMINATION OF THE THEME AND LITERARY), The Chaucer review, 29(1), 1994, pp. 74-92
Citation: Jc. Boswell, REFERENCES TO TROILUS, CRISEYDE, AND PANDARUS + A LISTING OF NEWLY RECOGNIZED REFERENCES IN THE CHAUCER CANON, The Chaucer review, 29(1), 1994, pp. 93-109
Citation: Nm. Bradbury, GENTRIFICATION AND THE TROILUS -PATTERNS IN MEDIEVAL FEUDAL SOCIETY( THE DIFFUSION AND POPULARIZATION OF CULTURAL), The Chaucer review, 28(4), 1994, pp. 305-329
Citation: S. Eisner, THE RAM REVISITED -PROLOGUE OF THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY - A CANTERBURY CONUNDRUM( AN ANALYSIS OF TEXTUAL INCONSISTENCIES AND SCRIBAL ERRORS IN THE GENERAL), The Chaucer review, 28(4), 1994, pp. 330-343
Citation: S. Justman, TRADE AS PUDENDUM -CENTURY WOMAN IN HIS 'CANTERBURY TALES' - CHAUCER WIFE-OF-BATH( CHAUCER,GEOFFREY USE OF THE AMBIGUOUS ROLE OF 14TH), The Chaucer review, 28(4), 1994, pp. 344-352
Citation: R. Field, SUPERFLUOUS RIBALDRY - SPURIOUS LINES IN THE 'MERCHANTS TALE'( SCRIBAL PROCEDURES AND TEXTUAL RESTORATION IN THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY ), The Chaucer review, 28(4), 1994, pp. 353-367
Citation: Mb. Potkay, NATURAL LAW IN THE 'OWL AND THE NIGHTINGALE' -CENTURY CONTEMPORARY JUDICIAL PRACTICE AND CANON LAW( AN ANALYSIS OF 13TH), The Chaucer review, 28(4), 1994, pp. 368-383
Citation: V. Dimarco, NERO NETS AND SENECA VEINS - A NEW SOURCE FOR THE 'MONKS TALE'( ADOPTING MEDIEVAL FORMULATIONS IN THE CHARACTERIZATION OF CERTAIN CLASSICALHISTORIC FIGURES FOUND IN THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY ), The Chaucer review, 28(4), 1994, pp. 384-392
Citation: S. Yager, A-WHIT-THYNG-IN-HIR-YE - A DISCUSSION ON THE SUBJECT OF OPTICS AND OPTICAL THEORY IN THE 'CANTERBURY TALES' OF CHAUCER,GEOFFREY - PERCEPTION AND ERROR IN THE 'REEVES TALE', The Chaucer review, 28(4), 1994, pp. 393-404
Citation: Ca. Owen, NOTES ON GOWER PROSODY -DE-MACHAUT AS WELL AS OTHER FRENCH POETS ON MID-14TH-CENTURY ENGLISH COURTLY POETRY( THE INFLUENCE OF GUILLAUME), The Chaucer review, 28(4), 1994, pp. 405-413
Citation: Jc. Hirsh, GENERAL-PROLOGUE(526) -MEDIEVAL ENGLISH SPIRITUALITY - A SO-CALLED SPICED-CONSCIENCE( A NOTE ON RELIGIOUS DYNAMISM IN LATE), The Chaucer review, 28(4), 1994, pp. 414-417
Citation: P. Hardman, THE 'BOOK OF THE DUCHESS' AS A MEMORIAL MONUMENT + CHAUCER,GEOFFREY AND THE CONVENTIONAL IDEALIZATION OF UNIVERSAL BEAUTY, LOVE, AND GRIEF IN MEDIEVAL ENGLISH LITERATURE, The Chaucer review, 28(3), 1994, pp. 205-215
Citation: Pj. Gallacher, CHAUCER,GEOFFREY AND THE RHETORIC OF THE BODY + DEFINING A MEDIEVAL SYSTEM OF CORPOREAL SIGNS AND GESTURES IN RESONANCE WITH LITERARY, MEDICAL, THEOLOGICAL, AND PHILOSOPHICAL ATTITUDES AND VALUES, The Chaucer review, 28(3), 1994, pp. 216-236
Citation: Pg. Beidler, CHAUCER,GEOFFREY 'REEVES TALE', BOCCACCIO,GIOVANNI 'DECAMERON' (IX,6), AND 2 SO-CALLED SOFT GERMAN ANALOGS + A DISCUSSION OF SIMILARITIES AND COMPLEX SOURCE RELATIONSHIPS IN VARIOUS MEDIEVAL TALES OF DIFFERINGLANGUAGES, The Chaucer review, 28(3), 1994, pp. 237-251
Citation: J. Root, SPACE-TO-SPEKE -CALLED CONFESSIONAL OR AUTOBIOGRAPHICAL POETRY AS A LITERARY CONDITION IN THE PROLOGUE TO THE 'WIFE OF BATH' - THE WIFE-OF-BATH AND THE DISCOURSE OF CONFESSION( CHAUCER,GEOFFREY AND THE DEVELOPMENT OF A SO), The Chaucer review, 28(3), 1994, pp. 252-274
Citation: D. Yamamoto, NOON-OOTHER-INCUBUS-BUT-HE - LINES-878-881 IN THE 'WIFE OF BATHS TALE'( AN ALTERNATE READING AND A CONVENTIONAL EXPLANATION OF CHAUCER,GEOFFREY TALE ), The Chaucer review, 28(3), 1994, pp. 275-278