Citation: R. Wendorf, Giovanni Battista Piranesi's double ruin (Examining the "strange linear universe" of ancient and contemporary Rome through his etchings and inscriptions), EIGHT-CT ST, 34(2), 2001, pp. 161-180
Citation: R. Sweet, Antiquaries and antiquities in eighteenth-century England (Understanding the development of a national identity and heritage and the emergence of theethos of preservationism), EIGHT-CT ST, 34(2), 2001, pp. 181-206
Citation: N. Bhattacharya, Family jewels: George Colman's 'Inkle and Yarico' and connoisseurship (Fake antiquity, theatricality, racial difference, and image in 18th-century literature), EIGHT-CT ST, 34(2), 2001, pp. 207-226
Citation: Ge. Haggerty, Walpoliana (Observations on W. S. Lewis' zealous obsession with inspired 18th-century homo/hetero sexualities in the writings of Horace Walpole), EIGHT-CT ST, 34(2), 2001, pp. 227-249
Citation: Jd. Herbert, A picture of Jean-Baptiste-Simeon Chardin's making (The artist's canvas asprotective curtain and reflective mirror of 18th-century French bourgeois culture), EIGHT-CT ST, 34(2), 2001, pp. 251-274
Citation: J. Collins, Making a prince's museum: Drawings for the late eighteenth-century redecoration of the Villa-Borghese, EIGHT-CT ST, 34(2), 2001, pp. 280-285
Citation: K. Berland, A city endlessly rewritten: Some versions and appropriations of Rome in the long eighteenth-century - A review essay, EIGHT-CT ST, 34(2), 2001, pp. 287-298
Citation: M. Gutwirth, Virtue, gender, and the authentic self in eighteenth-century fiction: Richardson, Rousseau, and Laclos, EIGHT-CT ST, 34(2), 2001, pp. 313-317