Citation: Sm. Quinlan, Jacques-Louis David and Jean-Louis Prieur, revolutionary artists: The public, the populace, and images of the French Revolution, EIGHT-CT ST, 34(1), 2000, pp. 131-134
Citation: M. Caputi, Reconstituting the body politic: Enlightenment, public culture and the invention of aesthetic autonomy, EIGHT-CT ST, 34(1), 2000, pp. 138-141
Citation: G. Russell, 'Faro's daughters': Female gamesters, politics, and the discourse of finance in 1790s Britain, EIGHT-CT ST, 33(4), 2000, pp. 481-504
Citation: A. Wyngaard, Switching codes: Class, clothing, and cultural change in the works of Marivaux and Watteau, EIGHT-CT ST, 33(4), 2000, pp. 523-541
Citation: P. Sabor, From sexual liberation to gender trouble: Reading 'Memoirs of a Woman of Pleasure' from the 1960s to the 1990s (John Cleland, 'Fanny Hill'), EIGHT-CT ST, 33(4), 2000, pp. 561-578