Citation: Se. Rose, The funny business of the Swedish East India Company: Gender and imperial joke-work in Jacob Wallenberg's travel writing, EIGHT-CT ST, 33(2), 2000, pp. 217-232
Citation: R. Beachy, Recasting cosmopolitanism: German Freemasonry and regional identity in theearly nineteenth century, EIGHT-CT ST, 33(2), 2000, pp. 266-274
Citation: H. Mcpherson, 'Performing Arts, Alliance of Studio and Stage in Britain, 1776-1812', international conference sponsored by the Huntington and the Paul Mellon Centre for Studies in British Art, London, September 10-11, 1999, EIGHT-CT ST, 33(2), 2000, pp. 281-287
Citation: H. Mcpherson, A 'Passion for Performance, Sarah Siddons and Her Portraitists', J. Paul Gettuy Museum, Los Angeles, July 27-September 19, 1999, EIGHT-CT ST, 33(2), 2000, pp. 281-287
Citation: H. Mcpherson, 'Cultivating celebrity, Portraiture as Publicity in the Career of Sarah Siddons', Huntington Library and Art Collections, San Marino, July 27-September 19, 1999, EIGHT-CT ST, 33(2), 2000, pp. 281-287
Citation: Rr. Bauer, 'Franklin and His Friends, Portraying the Man of Science in Eighteenth-Century America', Smithsonian National Portrait Gallery, Washington, DC, April16-September 6, 1999, EIGHT-CT ST, 33(2), 2000, pp. 284-286
Citation: Jb. Lee, 'Makers and Users, American decorative Arts, 1630-1820, from the ChipstoneCollection', Elvehjem Museum of Art, University of Wisconsin, Madison, August 21-October 24, 1999, EIGHT-CT ST, 33(2), 2000, pp. 286-287
Citation: O. Tsapina, By the banks of the Neva: Chapters from the lives and careers of the British in eighteenth-century Russia, EIGHT-CT ST, 33(2), 2000, pp. 301-305
Citation: Ml. Kamrath, The Dutch in the Americas 1600-1800: A narrative history with the catalogue of an exhibition of rare prints, maps, and illustrated books from the John Carter Brown Library, EIGHT-CT ST, 33(2), 2000, pp. 305-308