Citation: J. Mainil, Fairy tales and short stories of Madame d'Aulnoy (1690-1698): The imaginary against tradition, EIGHT-CT ST, 33(2), 2000, pp. 310-313
Citation: S. West, Wilkes's squint: Synecdochic physiognomy and political identity in eighteenth-century print culture, EIGHT-CT ST, 33(1), 1999, pp. 65-84
Citation: Sr. Cohen, French and English drawings of the eighteenth and nineteenth centuries from the National Gallery of Canada, Frick Collection, New York, February 9-April 25, 1999, EIGHT-CT ST, 33(1), 1999, pp. 125-128
Citation: Sr. Cohen, Drouais's portrait of Madame de Pompadour from the National Gallery, London, Frick Collection, January 25-April 25, 1999, EIGHT-CT ST, 33(1), 1999, pp. 125-128
Citation: Sr. Cohen, Eighteenth-century French drawings in New York collections, Metropolitan Museum of Art, New York, February 2-April 25, 1999, EIGHT-CT ST, 33(1), 1999, pp. 125-128
Citation: Hp. Wagner, 'Hogarth and His Times, Serious Comedy', British Museum, London, September25, 1997-January 4, 1998, Berkeley Art Museum, University of California, January 28-April 19, National Gallery of Canada, Ottawa, June 18-August 23, 1998, Miriam and Ira W. Wallach Art Gallery, Columbia University, New York,September 15-November 21, 1998, EIGHT-CT ST, 33(1), 1999, pp. 134-136
Citation: T. Kramer, Hogarth's 'Enthusiasm Delineated'. Imitation as critique of connoisseurship. A work analysis, at the same time a view into the satiric Enlightenment thought of an 'artist-rebel' in 18th-century England, EIGHT-CT ST, 33(1), 1999, pp. 143-145