Citation: K. Eggert, CHANGING-ALL-THAT-FORME-OF-COMMON-WEALE, GENRE AND THE REPEAL OF QUEENSHIP IN THE 'FAERIE QUEENE', BOOK-5, English literary renaissance, 26(2), 1996, pp. 259-290
Citation: Sm. Buhler, NO SPECTER, NO SCEPTRE, THE AGON OF MATERIALIST THOUGHT IN SHAKESPEARE 'JULIUS CAESAR', English literary renaissance, 26(2), 1996, pp. 313-332
Citation: M. Prineas, THE DREAM OF THE BOOK AND THE POETRY OF FAILURE IN VAUGHAN,HENRY 'SILEX SCINTILLANS', English literary renaissance, 26(2), 1996, pp. 333-355
Citation: N. Jones et Pw. White, 'GORBODUC' AND ROYAL MARRIAGE POLITICS - AN ELIZABETHAN PLAYGOERS REPORT OF THE PREMIERE PERFORMANCE, English literary renaissance, 26(1), 1996, pp. 3-17
Citation: B. Freedman, ELIZABETHAN PROTEST, PLAGUE, AND PLAYS - REREADING THE DOCUMENTS-OF-CONTROL, English literary renaissance, 26(1), 1996, pp. 17-45
Citation: Rl. Knutson, ELIZABETHAN DOCUMENTS, CAPTIVITY NARRATIVES, AND THE MARKET FOR FOREIGN HISTORY PLAYS, English literary renaissance, 26(1), 1996, pp. 75-110
Citation: H. Diehl, BEWHORED IMAGES AND IMAGINED WHORES - ICONOPHOBIA AND GYNOPHOBIA IN STUART LOVE TRAGEDIES, English literary renaissance, 26(1), 1996, pp. 111-137
Citation: A. Gurr, THE WAR OF 1614-1618 - JACOBEAN ABSOLUTISM, LOCAL-AUTHORITY AND A CRISIS OF OVERPRODUCTION, English literary renaissance, 26(1), 1996, pp. 138-154
Citation: Nw. Bawcutt, NEW ENTRIES FROM THE OFFICE-BOOK OF SIR HERBERT,HENRY -MATERIAL( SHAKESPEARE SOURCE), English literary renaissance, 26(1), 1996, pp. 155-166
Citation: R. Barbour, RECENT STUDIES OF PROSE-FICTION, 1603-1660, INCLUDING SIDNEY 'ARCADIA' -BIBLIOGRAPHY( ANNOTATED), English literary renaissance, 26(1), 1996, pp. 167-197
Citation: D. Bevington, 2 HOUSEHOLDS, BOTH ALIKE IN DIGNITY, THE UNEASY ALLIANCE BETWEEN NEW HISTORICISTS AND FEMINISTS, English literary renaissance, 25(3), 1995, pp. 307-319
Citation: J. Crewe, THE STATE OF RENAISSANCE STUDIES, OR, A FUTURE FOR ENGLISH-LITERARY-RENAISSANCE, English literary renaissance, 25(3), 1995, pp. 341-353