Citation: R. Heilen, IAML (International Association of Music Libraries, Archives and Documentation Centres) - Reports from national branches - United Kingdom (IAML UK), 1997-1998, FON ART MUS, 46(1-2), 1999, pp. 170-171
Citation: L. Coral, IAML (International Association of Music Libraries, Archives and Documentation Centres) - Reports from national branches - US branch, 1998, FON ART MUS, 46(1-2), 1999, pp. 171-172
Citation: K. Dorfmuller, The German musical rental business: Function, significance and topography of a form of commercial music product distribution form the late 18th to the early 20th century, FON ART MUS, 46(1-2), 1999, pp. 188-189
Citation: Tf. Heck, Handbook to Bach's sacred cantata texts: An interlinear translation with reference guide to Biblical quotations and allusions, FON ART MUS, 46(1-2), 1999, pp. 190-193
Citation: A. Kearns, Wolfgang Amadeus Mozart, 'Concerto for Horn and Orchestra in E-flat Major,K.370b': A facsimile reconstruction of the autograph sources, FON ART MUS, 46(1-2), 1999, pp. 195-197
Citation: C. Sierrabarcena, MUSICAL COLLECTIONS IN SPANISH ARCHIVES - 2 DATABASES (CARC CONTAINING INFORMATION ON PUBLIC AND PRIVATE IBERO-AMERICAN ARCHIVES AND CIDA OFFERING SOURCES IN DOCUMENTARY COLLECTIONS OF SPANISH AND FOREIGN ARCHIVES), FON ART MUS, 45(1), 1998, pp. 54-62
Citation: N. Iglesiasmartinez, MUSICOLOGISTS AND ARCHIVISTS CONFRONT THE 19TH-CENTURY - NOTES FROM THE NATIONAL-LIBRARY-OF-MADRID, FON ART MUS, 45(1), 1998, pp. 63-80