Citation: S. Taberner, A manifesto for Germany's 'New Right'? Martin Walser, the past, transcendence, aesthetics, and Ein 'Springender Brunnen', GER LIFE L, 53(1), 2000, pp. 126-141
Citation: D. Pinfold, 'Das war schon einmal da, wie langweilig!'? 'Horspiel' and narrative in the work of Gert Hofmann (1931-1993), GER LIFE L, 52(4), 1999, pp. 475-489
Citation: M. Reinhart, Text and simultext: Borrowing Claudian in seventeenth-century Germany (A case from the Fruchtbringende Gesellschaft), GER LIFE L, 52(3), 1999, pp. 281-296
Citation: C. Tully, Placing Droste's 'Ledwinda': 'Jugendwerl' or 'gescheiterte Frauenliteratur'? (Annette von Droste-Hulshoff, feminism), GER LIFE L, 52(3), 1999, pp. 314-324
Citation: Af. Grant, Innocence and the language of the body in discourses of the 'Jahrhundertwende' (German women at the beginning of the twentieth century), GER LIFE L, 52(3), 1999, pp. 343-364
Citation: N. Saul, From 'Ideendichtung' to the commercium mentis et corporis: The body in German literature around 1800, GER LIFE L, 52(2), 1999, pp. 115-122
Citation: J. Morrison, The discreet charm of the Belvedere: Submerged homosexuality in eighteenth-century writing on art, GER LIFE L, 52(2), 1999, pp. 123-135
Citation: A. Kosenina, Glass breast, readable heart: A psychopathographic topos in the sign of physiognomic tyranny in C.H. Spiess and others, GER LIFE L, 52(2), 1999, pp. 151-165
Citation: Sm. Schneider, Artistic autonomy as semiotic of death? Digressions in the classicist discourse of the beauty of the human form in the work of Karl Philipp Moritz, GER LIFE L, 52(2), 1999, pp. 166-183
Citation: L. Sharpe, Female illness and male heroism: The works of Caroline von Wolzogen (Der 'Leukadische Fels', German literature, women's studies), GER LIFE L, 52(2), 1999, pp. 184-196