Citation: B. Baert, New observations on the Genesis of Girona (1050-1100). The iconography of the legend of the True Cross, GESTA, 38(2), 1999, pp. 115-127
Citation: L. Weigert, Performing the past: The tapestry of the city and its saints in Tournai cathedral ('Lives of SS. Piat and Eleutherius', 1402), GESTA, 38(2), 1999, pp. 154-170
Citation: Es. Bolman, De coloribus. The meanings of color in the Beatus manuscript (Pierpont-Morgan-Library, 10th century illuminated manuscript of Beatus of Liebana's 'Commentarius in Apocalypsin'), GESTA, 38(1), 1999, pp. 22
Citation: A. Neff, Byzantium westernized, Byzantium marginalized: Two icons in the 'Supplicationes variae' (Icons of the Transfiguration and Man-of-Sorrows), GESTA, 38(1), 1999, pp. 81-102
Citation: E. Bacher, Do monumental stained-glass panels belong in a museum? Panels from St.-Leonhard, Lavanttal in the gothic chapel at the Cloisters in New York, GESTA, 37(2), 1998, pp. 135
Citation: Mh. Caviness, A Contemplative Life in Washington (Stained glass medallion in the National-Museum-of-American-Art), GESTA, 37(2), 1998, pp. 150