Citation: Tb. Husband, The dissemination of design in small-scale glass production: The case of the "medieval housebook", GESTA, 37(2), 1998, pp. 178-185
Citation: A. Isler-de Jongh et N. Frachon-gielark, A kneeling cleric on a stained glass panel, formerly part of the royal window in the cathedral of Saint Etienne in Toulouse, GESTA, 37(2), 1998, pp. 186
Citation: Aa. Jordan, Rationalizing the narrative: Theory and practice in the nineteenth-centuryrestoration of the windows of the Sainte-Chapelle, GESTA, 37(2), 1998, pp. 192-200
Citation: C. Lautier, Early 15th century stained glass panels from Chartres depicting four of the liberal arts (Dialectic, Arithmetic, Rhetoric and Geometry), GESTA, 37(2), 1998, pp. 211
Citation: F. Perrot, A mid-thirteenth century stained glass panel of the Assumption from Saint-Fargeau (Yonne), currently in Mexico City, GESTA, 37(2), 1998, pp. 240-243
Citation: R. Sanfacon, The Tree of Jesse reinterpreted in French stained glass windows C.1445-1450: four panels in a Quebec collection, GESTA, 37(2), 1998, pp. 251
Citation: A. Cutler, A Byzantine triptych in medieval Germany and its modern recovery (10th century ivory icon probably from the time of Romanos II), GESTA, 37(1), 1998, pp. 3
Citation: Hj. Boker, The Bishop's Chapel of Hereford Cathedral and the question of architectural copies in the Middle Ages, GESTA, 37(1), 1998, pp. 44-54
Citation: V. Frandon, From the multiple to the One. An iconographic approach to the calendar andthe seasons in the portal of the monastery church of Vezelay, GESTA, 37(1), 1998, pp. 74-87
Citation: Af. Moskowitz, Arnolfo, non-Arnolfo: New (and some old) observations on the ciborium in San-Paolo-fuori-le-mura, GESTA, 37(1), 1998, pp. 88-102