Citation: M. Beckerman, Two who made the "New World" (Dvorak's symphony 'From the New World', Johann Tonsor's article on Negro music in 1892, and the composer Milfred Hill), HUDEBNI VED, 37(1-2), 2000, pp. 44-59
Citation: P. Kordik, Polyphonic structure of the prelude from Johann Sebastian Bach's 'Lute suite in c-minor BWV997', HUDEBNI VED, 37(1-2), 2000, pp. 102-110
Citation: M. Stedron, Janacek's speech-melodies - Impressions, stereotypes, anlayses? (preliminary studies for the complete edition of Janacek's melodeis, 1897-1928), HUDEBNI VED, 37(1-2), 2000, pp. 140-156
Citation: M. Jonasova et V. Kapsa, Johann Adolf Hasse and his era, a conference held in Hamburg, Germany, March 1999, HUDEBNI VED, 37(1-2), 2000, pp. 161-163
Citation: S. Bohadlo, A colloquium on 20th century music history held in Brno, the Czech Republic, September 1999, HUDEBNI VED, 37(1-2), 2000, pp. 163-165
Citation: M. Jonasova, Music museums at the end of the 20th century, a colloquium held in Brno, the Czech Republic, September 1999, HUDEBNI VED, 37(1-2), 2000, pp. 165-166
Citation: S. Bohadlo, History of music in East and West Europe, a conference held on the occasion of K.W. Niemoller's 70th birthday in Chemnitz, Germany, October 1999, HUDEBNI VED, 37(1-2), 2000, pp. 166-168
Citation: V. Reittererova, "Unwanted" files. The fate of Dresden musicians and National Socialist persecution of Jews 1933-1945, HUDEBNI VED, 37(1-2), 2000, pp. 171-173
Citation: V. Reittererova, Cultural life in the Czech town Chrudim, its past and present, memoirs anddocuments 1982-1998, HUDEBNI VED, 37(1-2), 2000, pp. 173-174