Citation: Cm. Johnson, DIFFERENTIAL PATTERNS OF LISTENING TO WIND BAND MUSIC BY MORE-OR-LESSADVANCED INSTRUMENTAL MUSIC STUDENTS, Journal of band research, 32(1), 1996, pp. 33-48
Citation: Jd. Boyle et al., A COMPARISON OF HIGH-SCHOOL BAND AND NONBAND STUDENTS REACTIONS TO SELECTED WIND BAND EXCERPTS, Journal of band research, 31(2), 1996, pp. 35-51
Citation: Da. Sheldon, VISUAL REPRESENTATION OF MUSIC - EFFECTS OF BEAMED AND BEAMLESS NOTATION ON MUSIC PERFORMANCE, Journal of band research, 31(2), 1996, pp. 86-101
Citation: De. Bish, ORCHESTRAL TRANSCRIPTIONS FOR CONCERT-BAND - AN OVERVIEW OF RESEARCH AND PUBLICATIONS, Journal of band research, 31(1), 1995, pp. 1-28
Citation: Cm. Johnson et We. Fredrickson, THE EFFECT OF AURAL COMMENTARY, WRITTEN COMMENTS, AND BEHAVIORAL SELF-ASSESSMENT ON CONDUCTOR INTENSITY, Journal of band research, 30(2), 1995, pp. 27-38
Citation: G. Anderson, ANALYSIS - MUSICAL METAMORPHOSES IN HINDEMITH MARCH FROM 'SYMPHONIC METAMORPHOSIS OF THEMES BY CARL MARIA VON WEBER', Journal of band research, 30(1), 1994, pp. 1-10
Citation: Jl. Byo et Kr. Austin, COMPARISON OF EXPERT AND NOVICE CONDUCTORS - AN APPROACH TO THE ANALYSIS OF NONVERBAL BEHAVIORS, Journal of band research, 30(1), 1994, pp. 11-34
Citation: Jc. Mitchell, WINDRAM,JAMES,CAUSLEY MILITARY BAND SETTINGS OF HOLST,GUSTAV 'CHORAL HYMNS FROM THE RIQ VEDA', Journal of band research, 30(1), 1994, pp. 69-77
Citation: Ra. Duke, BRINGING THE ART OF REHEARSING INTO FOCUS - THE REHEARSAL FRAME AS A MODEL FOR PRESCRIPTIVE ANALYSIS OF REHEARSAL CONDUCTING, Journal of band research, 30(1), 1994, pp. 78-95
Citation: Fp. Williams, THE AMERICAN-BAND-OF-PROVIDENCE (1902) AND CLARKES-BAND-OF-PROVIDENCE(1903) - THE RECORDINGS( DISCOGRAPHY ), Journal of band research, 30(1), 1994, pp. 96-106