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Results: 1-25/120
Authors:
Smith, PH
Citation: Ph. Smith, Outer-voice conflicts: Their analytical challenges and artistic consequences (Schenkerian analysis), J MUSIC THR, 44(1), 2000, pp. 1-43
Authors:
Leach, EE
Citation: Ee. Leach, Counterpoint and analysis in fourteenth-century song, J MUSIC THR, 44(1), 2000, pp. 45-79
Authors:
Mooney, K
Citation: K. Mooney, Hugo Riemann's debut as a musical theorist (pseudonym Hugibert Ries), J MUSIC THR, 44(1), 2000, pp. 81-99
Authors:
Riemann, H
Citation: H. Riemann, Musical logic. A contribution to the theory of music (English translation of 5 articles published in the 'Neue Zeitschrift fur Musik 1872' under the pseudonym Hugibert Ries), J MUSIC THR, 44(1), 2000, pp. 100-126
Authors:
Moreno, J
Citation: J. Moreno, Challenging view of sequential repetition: From Satzlehre to Melodienlehre, J MUSIC THR, 44(1), 2000, pp. 127-169
Authors:
Lefokowitz, DS
Taavola, K
Citation: Ds. Lefokowitz et K. Taavola, Segmentation in music: Generalizing a piece-sensitive approach, J MUSIC THR, 44(1), 2000, pp. 171-229
Authors:
Smyth, DH
Citation: Dh. Smyth, The Stravinsky legacy, J MUSIC THR, 44(1), 2000, pp. 231-236
Authors:
Banfield, S
Citation: S. Banfield, The American popular ballad of the Golden Era: 1924-1950, J MUSIC THR, 44(1), 2000, pp. 236-249
Authors:
Alegant, B
Citation: B. Alegant, When even becomes odd: A partitional approach to inversion, J MUSIC THR, 43(2), 1999, pp. 193-230
Authors:
Pearsall, E
Citation: E. Pearsall, Mind and music: On intentionality, music theory, and analysis, J MUSIC THR, 43(2), 1999, pp. 231-255
Authors:
Strunk, S
Citation: S. Strunk, Chick Corea's 1984 performance of 'Night and day', J MUSIC THR, 43(2), 1999, pp. 257-281
Authors:
Larson, S
Citation: S. Larson, Swing and motive in three performances by Oscar Peterson, J MUSIC THR, 43(2), 1999, pp. 283-314
Authors:
Shaftel, M
Citation: M. Shaftel, From inspiration to archive: Cole Porter's 'Night and day', J MUSIC THR, 43(2), 1999, pp. 315-347
Authors:
Headlam, D
Citation: D. Headlam, Style and idea in the lyric suite of Alan Berg, J MUSIC THR, 43(2), 1999, pp. 349-358
Authors:
Whittall, A
Citation: A. Whittall, Meter as rhythm, J MUSIC THR, 43(2), 1999, pp. 359-371
Authors:
Mead, A
Citation: A. Mead, Bodily hearing: Physiological metaphors and musical understanding, J MUSIC THR, 43(1), 1999, pp. 1-19
Authors:
Kurth, R
Citation: R. Kurth, Partition lattices in twelve-tone music: An introduction, J MUSIC THR, 43(1), 1999, pp. 21-82
Authors:
DeBellis, M
Citation: M. Debellis, The paradox of musical analysis, J MUSIC THR, 43(1), 1999, pp. 83-99
Authors:
Smyth, D
Citation: D. Smyth, Schenker's octave lines reconsidered, J MUSIC THR, 43(1), 1999, pp. 101-133
Authors:
Morgan, RP
Citation: Rp. Morgan, Are there two tonal practices in nineteenth-century music? (A review article of William Kinderman's The 'Second practice of nineteenth-century tonality'), J MUSIC THR, 43(1), 1999, pp. 135-163
Authors:
Epstein, D
Citation: D. Epstein, Shaping time: Music, the brain, and performance, a response to William Rothstein, J MUSIC THR, 43(1), 1999, pp. 165-190
Authors:
Cohn, R
Citation: R. Cohn, Introduction to Neo-Riemannian theory: A survey and a historical perspective, J MUSIC THR, 42(2), 1998, pp. 167-180
Authors:
Childs, AP
Citation: Ap. Childs, Moving beyond Neo-Riemannian triads: Exploring a transformational model for Seventh chords, J MUSIC THR, 42(2), 1998, pp. 181-193
Authors:
Gollin, E
Citation: E. Gollin, Some aspects of three-dimensional Tonnetze, J MUSIC THR, 42(2), 1998, pp. 195-206
Authors:
Soderberg, S
Citation: S. Soderberg, The T-HEX constellation, J MUSIC THR, 42(2), 1998, pp. 207-218