Citation: K. Fledelius, The dictators' films - 'Scipione l'Africano', 'Aleksandr Nevskij', 'Jud Suss', and 'Kolberg', KOSMORAMA, (226), 2000, pp. 58-88
Citation: S. Thorborg, Nclam (New Latin American Film) - A collective designation for the revolutionary film movements of the various nations of the region, KOSMORAMA, (225), 2000, pp. 5-30
Citation: Jc. Avellar, From the spontaneity of speech to the order of writing - Brazilian film from Cinema-Novo to 'Central do Brasil', KOSMORAMA, (225), 2000, pp. 31-40
Citation: A. Leifer et P. Ravnemose, The macho, the mother and the masked avenger - Mexican film from 1896 to the present, KOSMORAMA, (225), 2000, pp. 59-73
Citation: E. Jorholt, Out of "Africa" - The path of the West African feature film from Afrocentrism to "the global village", KOSMORAMA, (225), 2000, pp. 74-102
Citation: U. Skram-jensen, From masala to modernism - Indian film between kitsch and art, East and West, Hindi film and parallel film, KOSMORAMA, (225), 2000, pp. 118-130
Citation: V. Mulay, Women and film in India - The struggle of Indian women for equality, reflected in a handful of regional films, KOSMORAMA, (225), 2000, pp. 131-141
Citation: A. Kirstein, The other and the same: Reflections on "our" view of "the other" - Representation of cultural difference in the work of Trin T. Minh-ha, KOSMORAMA, (225), 2000, pp. 156-167