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Results: 26-50/613
Authors:
Fausing, B
Citation: B. Fausing, Our digital life. Film, computer media and the biological connection, KOSMORAMA, (224), 1999, pp. 29-43
Authors:
Grodal, T
Citation: T. Grodal, The free play of narrative. Film, computer games and the aesthetics of interaction, KOSMORAMA, (224), 1999, pp. 44-66
Authors:
Hansen, OE
Citation: Oe. Hansen, Have we seen the narration of the new millennium? (New trends in film narration), KOSMORAMA, (224), 1999, pp. 61-75
Authors:
Stegelmann, J
Citation: J. Stegelmann, To infinity, and beyond! Film and computer animation, KOSMORAMA, (224), 1999, pp. 76-85
Authors:
Hojbjerg, L
Citation: L. Hojbjerg, Inspired narration. The music video and film as reciprocal models, KOSMORAMA, (224), 1999, pp. 86-96
Authors:
Feldt, AFN
Citation: Afn. Feldt, The Bridge of San Luis Rey crossed over? (Peter Greenaway's huge new project The 'Tulse Luper Suitcase'), KOSMORAMA, (224), 1999, pp. 97-106
Authors:
Langkjaer, B
Citation: B. Langkjaer, Truth and fiction in Lars von Trier's 'Idioterne', KOSMORAMA, (224), 1999, pp. 107-120
Authors:
Novrup, E
Citation: E. Novrup, The power of memories. History and memory in Atom Egoyan's The 'Sweet Hereafter', KOSMORAMA, (224), 1999, pp. 121-137
Authors:
Tyberg, C
Citation: C. Tyberg, Film star Asta Nielsen, KOSMORAMA, (224), 1999, pp. 138-140
Authors:
Riis, J
Citation: J. Riis, Film theory and philosophy, KOSMORAMA, (224), 1999, pp. 140-142
Authors:
Riis, J
Citation: J. Riis, Emotions and the arts, KOSMORAMA, (224), 1999, pp. 140-142
Authors:
Riis, J
Citation: J. Riis, An ecological approach to cognitive film theory, KOSMORAMA, (224), 1999, pp. 140-142
Authors:
Riis, J
Citation: J. Riis, Passionate views. Film, cognition, and emotion, KOSMORAMA, (224), 1999, pp. 140-142
Citation: Film noir. Introduction, KOSMORAMA, (223), 1999, pp. 2-2
Authors:
Jerslev, A
Citation: A. Jerslev, Film noir. A network of family likenesses, KOSMORAMA, (223), 1999, pp. 4-27
Authors:
Langkjaer, B
Citation: B. Langkjaer, The mystery of film noir. Style, mood and feelings, KOSMORAMA, (223), 1999, pp. 28-43
Authors:
Grodal, TK
Citation: Tk. Grodal, Melodrama, sexuality and altruism. Style and feelings in film noir, KOSMORAMA, (223), 1999, pp. 44-62
Authors:
Michaelis, BT
Citation: Bt. Michaelis, The literary light behind the films darkness. Dashiell Hammett, Raymond Chandler and James M. Cain in American film noir of the 1940s, KOSMORAMA, (223), 1999, pp. 63-75
Authors:
Jespersen, A
Citation: A. Jespersen, Film noir in the suburbs. Tay Garnett's 'Cause for Alarm!', KOSMORAMA, (223), 1999, pp. 76-82
Authors:
Braae, M
Citation: M. Braae, Fate and crime. On the trail of Danish film noir, KOSMORAMA, (223), 1999, pp. 83-96
Authors:
Hartvigson, NH
Citation: Nh. Hartvigson, Unfortunate interpretations. Sexual structures in film noir, KOSMORAMA, (223), 1999, pp. 97-105
Authors:
Haastrup, HK
Citation: Hk. Haastrup, Imprisoned by the past, again! Hyper noir in the 1990s, KOSMORAMA, (223), 1999, pp. 106-123
Authors:
Villadsen, E
Citation: E. Villadsen, Gyldendal's film guide. Danish film from A to Z, KOSMORAMA, (223), 1999, pp. 124-129
Authors:
JORHOLT E
Citation: E. Jorholt, THE NEW FILM THEORIES (INTRODUCTION), Kosmorama, (221), 1998, pp. 4-4
Authors:
GRODAL T
Citation: T. Grodal, EMOTIONS, COGNITIONS, AND NARRATIVE PATTERNS IN FILM, Kosmorama, (221), 1998, pp. 6-22