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Results: 51-75/613
Authors:
RIIS J
Citation: J. Riis, FILM, FEELINGS, AND COMPREHENSION - BORDWELL,DAVID, CARROLL,NOEL, ANDCOGNITION THEORY, Kosmorama, (221), 1998, pp. 24-41
Authors:
HOJBJERG L
Citation: L. Hojbjerg, THE MEANING OF STYLE - THE TREATMENT OF AUDIOVISUAL STYLE IN MODERN FILM THEORY, Kosmorama, (221), 1998, pp. 42-61
Authors:
JERSLEV A
Citation: A. Jerslev, WHEN GENDER MAKES A CINEMATIC DIFFERENCE - FROM FEMINIST FILM THEORY TO THEORIES ABOUT FILM AND GENDER, Kosmorama, (221), 1998, pp. 62-80
Authors:
LEIFER A
Citation: A. Leifer, THE EXPERIENCED FILM - PHENOMENOLOGY AND FILM THEORY, Kosmorama, (221), 1998, pp. 82-95
Authors:
JORHOLT E
Citation: E. Jorholt, DELEUZE IN COLOR - A COLORED DESCENT INTO DELEUZE,GILES PHILOSOPHY OFFILM, Kosmorama, (221), 1998, pp. 96-115
Authors:
ESKJAER M
Citation: M. Eskjaer, FILM, WAR AND PERCEPTION - AN INTRODUCTION TO VIRILIO,PAUL REFLECTIONS ON FILM HISTORY, Kosmorama, (221), 1998, pp. 116-128
Authors:
HAASTRUP HK
Citation: Hk. Haastrup, POLYPHONIC FILM - CINEMATIC INTERTEXTUALITY FROM THE PERSPECTIVE OF BAKHTIN, Kosmorama, (221), 1998, pp. 130-137
Authors:
JORHOLT E
Citation: E. Jorholt, THE AESTHETICS OF FILM AND QUANTUM-MECHANICS - THE UNIFICATION OF FILM AND THE NATURAL-SCIENCES THROUGH ARCHAEOLOGY, Kosmorama, (221), 1998, pp. 138-152
Authors:
TYBJERG C
Citation: C. Tybjerg, ON THE HISTORY OF FILM STYLE - BORDWELL,D, Kosmorama, (221), 1998, pp. 154-156
Authors:
TYBJERG C
Citation: C. Tybjerg, THEATER TO CINEMA - STAGE PICTORIALISM AND THE EARLY FEATURE FILM - BREWSTER,B, JACOBS,L, Kosmorama, (221), 1998, pp. 154-156
Authors:
TYBJERG C
Citation: C. Tybjerg, THE OXFORD GUIDE TO FILM STUDIES - HILL,J, GIBSON,PC, Kosmorama, (221), 1998, pp. 156-159
Authors:
SCHEPELERN P
Citation: P. Schepelern, NORDIC NATIONAL CINEMAS - SOILA,T, WIDDING,AS, IVERSEN,G, Kosmorama, (221), 1998, pp. 159-160
Authors:
Schepelern, P
Citation: P. Schepelern, Color film and film music - Introduction, KOSMORAMA, (222), 1998, pp. 4-4
Authors:
Jorholt, E
Citation: E. Jorholt, Film's colors - A white spot on the map of the film landscape, KOSMORAMA, (222), 1998, pp. 6-33
Authors:
Schepelern, P
Citation: P. Schepelern, The sound of pictures - Lines of development in the history of film music, KOSMORAMA, (222), 1998, pp. 34-50
Authors:
Lauridson, PS
Citation: Ps. Lauridson, "Action speaks louder than words" - Chaplin and sound film, KOSMORAMA, (222), 1998, pp. 52-66
Authors:
Langkjaer, B
Citation: B. Langkjaer, How does music acquire meaning? On character, situation, and audience, KOSMORAMA, (222), 1998, pp. 68-79
Authors:
Larsen, P
Citation: P. Larsen, The narrativity of film music, KOSMORAMA, (222), 1998, pp. 80-98
Authors:
Lauridsen, PS
Citation: Ps. Lauridsen, An evening at Roda Kvarn. Swedish silent film as musical drama., KOSMORAMA, (222), 1998, pp. 100-101
Authors:
Haastrup, HK
Citation: Hk. Haastrup, Contemporary Hollywood cinema, KOSMORAMA, (222), 1998, pp. 102-104
Authors:
Haastrup, HK
Citation: Hk. Haastrup, Stranger than paradise - Maverick film-makers in recent American cinema, KOSMORAMA, (222), 1998, pp. 102-104
Authors:
Villadsen, E
Citation: E. Villadsen, The repressions of my life, KOSMORAMA, (222), 1998, pp. 104-106
Authors:
Villadsen, E
Citation: E. Villadsen, 'I den gronne skov og andre udflugter', KOSMORAMA, (222), 1998, pp. 104-106
Authors:
Villadsen, E
Citation: E. Villadsen, 'Som barn var jeg voldsomt hidsig'., KOSMORAMA, (222), 1998, pp. 104-106
Authors:
SCHEPELERN P
Citation: P. Schepelern, A CENTURY OF DANISH FILM - INTRODUCTION, Kosmorama, (220), 1997, pp. 4-4