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Results: 76-100/465
Authors:
Bixler, JE
Citation: Je. Bixler, Anthology: The theatre of '68, LAT AM THEA, 33(2), 2000, pp. 175-178
Authors:
Bravo-Elizondo, P
Citation: P. Bravo-elizondo, Uruguayan theatre at the end of the century, LAT AM THEA, 33(2), 2000, pp. 178-180
Authors:
Bravo-Elizondo, P
Citation: P. Bravo-elizondo, 'Hoy es siempre todavia', LAT AM THEA, 33(2), 2000, pp. 180-181
Authors:
Lockhart, MF
Citation: Mf. Lockhart, FIT 1998: Theatrical proposals for the end of the century, LAT AM THEA, 33(2), 2000, pp. 181-183
Authors:
Milleret, M
Citation: M. Milleret, Teaching and performing: Ideas for energizing your classes, LAT AM THEA, 33(2), 2000, pp. 183-184
Authors:
Moreno, IDR
Citation: Idr. Moreno, Dramatic art in Ibero-America: Theatre theory and practice, LAT AM THEA, 33(2), 2000, pp. 185-186
Authors:
Palls, TL
Citation: Tl. Palls, From both shores: Cuban theatre, LAT AM THEA, 33(2), 2000, pp. 187-188
Authors:
Palls, TL
Citation: Tl. Palls, Time in one act: 13 works of Cuban theatre, LAT AM THEA, 33(2), 2000, pp. 188-189
Authors:
Seda, L
Citation: L. Seda, 'Avatar Drama pasional sobre la vida desconocida de Yeshua de Nazaret', LAT AM THEA, 33(2), 2000, pp. 190-191
Authors:
Versenyi, A
Citation: A. Versenyi, Disappearing acts: Spectacles of gender and nationalism in Argentina's "Dirty War", LAT AM THEA, 33(2), 2000, pp. 191-193
Authors:
Day, SA
Citation: Sa. Day, Berman's Pancho Villa versus neoliberal desire, LAT AM THEA, 33(1), 1999, pp. 5-23
Authors:
Obregon, O
Citation: O. Obregon, History and science in Ibsen Martinez's 'Humboldt & Bonpland', LAT AM THEA, 33(1), 1999, pp. 25-43
Authors:
Bissett, J
Citation: J. Bissett, The revolution and the role of the woman in the plays of Consuelo de Castro and Pilar Campesino, LAT AM THEA, 33(1), 1999, pp. 45-53
Authors:
Del-Rio Reyes, M
Citation: M. Del-rio Reyes, The presence of Alexandro Jodorowsky in the Mexican theater of the Sixties, his dramatic concepts and the evolution of his theater, LAT AM THEA, 33(1), 1999, pp. 55-72
Authors:
Benoist, V
Citation: V. Benoist, "El-escribirlo-no-parte-de-la-osadia": Tradition and imitation in Juana Ines de la Cruz's loa for El 'Divino Narciso', LAT AM THEA, 33(1), 1999, pp. 73-83
Authors:
Rivera, O
Citation: O. Rivera, Third National Congress of theater research (1999) of the Asociacion-Mexicana-de-Investigacion-Teatral (AMIT), LAT AM THEA, 33(1), 1999, pp. 85-88
Authors:
Compton, TG
Citation: Tg. Compton, Mexico City theatre: Summer 1999, LAT AM THEA, 33(1), 1999, pp. 89-96
Authors:
Icle, G
Citation: G. Icle, Usina-do-Trabalho-do-Ator: A cannibalistic theater, LAT AM THEA, 33(1), 1999, pp. 97-108
Authors:
Reverte Bernal, C
Citation: C. Reverte Bernal, 12th (1997) and 14th (1998) Cadiz Iberoamerican theater festivals, LAT AM THEA, 33(1), 1999, pp. 109-123
Authors:
Piga, D
Citation: D. Piga, Temporales-teatrales of Puerto-Montt (Theater festival in Chile July 9-August 1st 1999), LAT AM THEA, 33(1), 1999, pp. 125-127
Authors:
Galvan, F
Citation: F. Galvan, 7th International conference of Latin American theater, LAT AM THEA, 33(1), 1999, pp. 129-133
Authors:
Perales, R
Citation: R. Perales, International festival of Teatro-de-Expresion-Iberica (FITEI), LAT AM THEA, 33(1), 1999, pp. 135-138
Authors:
Munoz, WO
Citation: Wo. Munoz, Festival-Internacional-de-Teatro-de-La-Paz (FITAZ) (Plays, workshops and discussions at the theater festival), LAT AM THEA, 33(1), 1999, pp. 139-144
Authors:
Bravo-Elizondo, P
Diana, R
Citation: P. Bravo-elizondo et R. Diana, 'Cuentos de hadas', Uruguay and other dreams: Interview with Raquel Diana, LAT AM THEA, 33(1), 1999, pp. 145-152
Authors:
Bravo-Elizondo, P
Pignataro Calero, J
Citation: P. Bravo-elizondo et J. Pignataro Calero, Theater in Uruguay: Conversation with Jorge Pignataro Calero, LAT AM THEA, 33(1), 1999, pp. 153-160