Citation: Tg. Foulk, DOGEN 'PURE STANDARDS FOR THE ZEN COMMUNITY' - A TRANSLATION OF 'EIHEI SHINGI' - LEIGHTON,TD, OKUMURA,S, Monumenta Nipponica, 51(4), 1996, pp. 507-510
Citation: Mt. Barrett, ON A WHITE BACKGROUND - JAPANESE WRITINGS ABOUT PAINTING FROM THE 9TH-CENTURY TO THE 10TH-CENTURY - FRENCH - LINHARTOVA,V, Monumenta Nipponica, 51(4), 1996, pp. 516-518
Citation: D. Sawada, EDUCATING HEARTS AND MINDS - REFLECTIONS ON JAPANESE PRESCHOOL AND ELEMENTARY-EDUCATION - KEWIS,CC, Monumenta Nipponica, 51(4), 1996, pp. 523-526
Citation: Cn. Vaporis, A TOUR OF DUTY + THE SCROLL, 'KURUME HANSHI EDO KINBAN NAGAYA EMAKI',13 PAINTINGS DEPICTING THE LIVING QUARTERS OF DOMAINAL SAMURAI IN EDO, TEXT BY TODA,KUMAJIRO AND PAINTINGS BY KANO,SHOHA, Monumenta Nipponica, 51(3), 1996, pp. 279
Citation: K. Toda, 'KURUME HANSHI EDO KINBAN NAGAYA EMAKI' + TEXT WITH 13 PAINTINGS BY KANO,SHOHA TRANSLATED FROM THE JAPANESE WITH COMMENTARY AND NOTES BY VAPORIS,CONSTANTINE, Monumenta Nipponica, 51(3), 1996, pp. 296-303
Citation: M. Yusa, NISHIDA AND HEARN + AN INTRODUCTION TO NISHIDA,KITARO PREFACE TO TANABE,RYUJI 'KOIZUMI YAKUMO', BIOGRAPHY OF HEARN,LAFCADIO, Monumenta Nipponica, 51(3), 1996, pp. 309
Citation: K. Nishida, PREFACE TO TANABE,RYUJI 'KOIZUMI YAKUMO' + TRANSLATION WITH FOOTNOTESBY YUSA,MICHIKO, Monumenta Nipponica, 51(3), 1996, pp. 313-316
Citation: Ca. Gerstle, HERO AS MURDERER IN CHIKAMATSU + BACKGROUND AND SUMMARY OF THE PLAY, 'FUTAGO SUMIDAGAWA', Monumenta Nipponica, 51(3), 1996, pp. 317
Citation: M. Chicamatsu, 'FUTAGO SUMIDAGAWA' ('TWINS AT THE SUMIDA RIVER') -3 WITH NOTES BY GERSTLE,C.ANDREW( TRANSLATION OF ACT), Monumenta Nipponica, 51(3), 1996, pp. 338-356
Citation: Mc. Strecher, PURELY MASS OR MASSIVELY PURE, THE DIVISION BETWEEN PURE-LITERATURE AND MASS-LITERATURE + AN EXAMINATION OF THE HISTORICAL MOMENT AT WHICH THE DISTINCTION BETWEEN JUNBUNGAKU AND TAISHUBUNGAKU WAS DEFINED, Monumenta Nipponica, 51(3), 1996, pp. 357-374