Citation: E. Pastreich, The pleasure quarters of Edo and Nanjing as metaphor - The records of Yu Huai and Narushima Ryuhoku, MON NIPP, 55(2), 2000, pp. 199-224
Citation: Dr. Ambaras, Passages to modernity: Motherhood, childhood, and social reform in early twentieth-century Japan, MON NIPP, 55(2), 2000, pp. 293-296
Citation: Ho. Rotermund, Buddhist ceremonial (Koshiki) and its meaning for the literature of the Japanese Middle Ages, MON NIPP, 55(2), 2000, pp. 307-310
Citation: I. Fritsch, The spirit of Tsugaru: Blind musicians, Tsugaru-jamisen, and the folk music of northern Japan. With the autobiography of Takahashi Chikuzan, MON NIPP, 55(2), 2000, pp. 312-315