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Table of contents of journal: *Nottingham french studies

Results: 51-75/157

Authors: ROSELLO M
Citation: M. Rosello, LHEURE DU REFLET POURPRE - DEFINING THE E ROTICISM IN 'DUO' BY COLETTE, Nottingham French studies, 37(1), 1998, pp. 71-88

Authors: WORTON M
Citation: M. Worton, LOOKING FOR KICKS - PROMISCUITY EROTICISM IN CONTEMPORARY FRENCH FICTION, Nottingham French studies, 37(1), 1998, pp. 89-105

Authors: CANOVAS F
Citation: F. Canovas, FROM THE EROTIC TO THE AESTHETIC - APPROA CH TO READING, READING TO APPROACH, Nottingham French studies, 37(1), 1998, pp. 107-121

Authors: CHAMBERS R
Citation: R. Chambers, SIDA MON AMOUR - AIDS EROTICISM IN DUVE,PASCAL,DE 'CARGO VIE', Nottingham French studies, 37(1), 1998, pp. 123-136

Authors: Morel, R
Citation: R. Morel, Sight unseen: Fenelon and the myth of invisibility, NOTT FR ST, 37(2), 1998, pp. 1-11

Authors: Sola, AD
Citation: Ad. Sola, Heroism and novelistic verisimilitude: The case of 'Illustres Francaises', NOTT FR ST, 37(2), 1998, pp. 12-25

Authors: Phillips, J
Citation: J. Phillips, Sade in the corridor (The role of the secret space in the writer's imaginary universe), NOTT FR ST, 37(2), 1998, pp. 26-36

Authors: Ziegler, R
Citation: R. Ziegler, From the flower to the ruby: Creativity and object loss in Rodenbach's 'Bruges-la-morte', NOTT FR ST, 37(2), 1998, pp. 37-47

Authors: Cornille, JL
Citation: Jl. Cornille, Ubu expelled (Alfred Jarry and the sources of 'Ubu Roi'), NOTT FR ST, 37(2), 1998, pp. 48-61

Authors: Talahite, A
Citation: A. Talahite, Odalisques et pacotille: Identity and representation in Leila Sebbar's 'Sherazade, 17 ans, brune, frisee, les yeux verts', NOTT FR ST, 37(2), 1998, pp. 62-72

Authors: Dejean de la Batie, B
Citation: B. Dejean De La Batie, Inspector Ali investigates Driss Chraibi: Une 'Place au soleil' and L''inspecteur Ali a Trinity College' as new versions or sub-versions of detectivenovels, NOTT FR ST, 37(2), 1998, pp. 73-86

Authors: JAMES E
Citation: E. James, EURIPIDEAN AND CHRISTIAN CROSSCURRENTS IN THE PROBLEMATIC MORALITY OFRACINE 'PHEDRE', Nottingham French studies, 36(2), 1997, pp. 1-9

Authors: MINES P
Citation: P. Mines, THE ROLE OF THE SADE,MARQUIS,DE IN THE LATE NOVELS OF HUGO,VICTOR, Nottingham French studies, 36(2), 1997, pp. 10-23

Authors: ORR M
Citation: M. Orr, THE CLOAKS OF POWER - CUSTOM AND COSTUME IN FLAUBERT 'SALAMMBO', Nottingham French studies, 36(2), 1997, pp. 24-33

Authors: HELLERSTEIN N
Citation: N. Hellerstein, PHENOMENOLOGY AND EKPHRASIS IN CLAUDEL 'CONNAISSANCE DE LEST', Nottingham French studies, 36(2), 1997, pp. 34-44

Authors: BOLDTIRONS LA
Citation: La. Boldtirons, THE FALL FROM AND INTO GRACE - CAMUS AND BATAILLE ON HAPPINESS AND GUILT, Nottingham French studies, 36(2), 1997, pp. 45-56

Authors: KORZENIOWSKA VB
Citation: Vb. Korzeniowska, ELEMENTARY ECOFEMINISM OR PATRIARCHAL PARADIGM - GIRAUDOUX 'SUZANNE ET LE PACIFIQUE' AND 'SUPPLEMENT AU VOYAGE DE COOK', Nottingham French studies, 36(2), 1997, pp. 57-70

Authors: CARON D
Citation: D. Caron, 2 NARRATIVES, 2 REQUIREMENTS - LES 'JOURS DE NOTRE MORT' BY ROUSSET,DAVID AND WIESEL,ELIE LA 'NUIT', Nottingham French studies, 36(2), 1997, pp. 71-82

Authors: ZISSERMANN K NETTELBECK C
Citation: K. Zissermann et C. Nettelbeck, SOCIAL EXCLUSION AND ARTISTIC INCLUSIVENESS - THE QUEST FOR INTEGRITYIN KASSOVITZ,MATHIEU LA 'HAINE', Nottingham French studies, 36(2), 1997, pp. 83-98

Citation: BARTHES,ROLAND - FOREWORD, Nottingham French studies, 36(1), 1997, pp. 1-2

Authors: MORIARTY M
Citation: M. Moriarty, BARTHES THEATRICAL AESTHETIC, Nottingham French studies, 36(1), 1997, pp. 3-13

Authors: STAFFORD A
Citation: A. Stafford, BARTHES AND MICHELET - BIOGRAPHY AND HISTORY, Nottingham French studies, 36(1), 1997, pp. 14-23

Authors: UNGAR S
Citation: S. Ungar, FROM EVENT TO MEMORY SITE - THOUGHTS ON REREADING 'MYTHOLOGIES'( BARTHES,ROLAND ), Nottingham French studies, 36(1), 1997, pp. 24-33

Authors: ROGER P
Citation: P. Roger, INFLUENCES OF LITERARY TREATMENT - BARTHES INTERPRETATION OF SADE, Nottingham French studies, 36(1), 1997, pp. 34-44

Authors: GRISEL M
Citation: M. Grisel, BARTHESIAN FORGERIES -STYLE, IN FLUENCES( LITERARY), Nottingham French studies, 36(1), 1997, pp. 45-52
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