Citation: B. Schlossman, LOOKING BACK - LUMINOUS SHADOWS AND THE AURAS OF HISTORY( BARTHES,ROLAND LA 'CHAMBRE CLAIRE' ), Nottingham French studies, 36(1), 1997, pp. 76-87
Citation: L. Gowans, THE GRAIL IN THE WEST - PROSE, VERSE, AND GEOGRAPHY IN THE 'JOSEPH' OF ROBERT-DE-BORON, Nottingham French studies, 35(2), 1996, pp. 1-17
Citation: V. Wakerley, HELOYS - ANDRE OR ANDREAS - A PROBLEM OF AUTHORSHIP IN MS-ROYAL-16F-II IN THE BRITISH-MUSEUM LIBRARY, Nottingham French studies, 35(2), 1996, pp. 18-26
Citation: J. Herman, A BURLESQUE VERSION OF THE FATE OF ABELAR D - THE CASTRATION OF VALMONT IN LES 'LIAISONS DANGEREUSES', Nottingham French studies, 35(2), 1996, pp. 27-40
Citation: Am. Smithdibiasio, LE TEXTE DE LA VIE DES FEMMES - FEMALE MELANCHOLIA IN 'EUGENIE GRANDET', Nottingham French studies, 35(2), 1996, pp. 52-59
Citation: W. Everett, SLIPPING IN AND OUT OF FOCUS - WORDS AND IMAGES IN THE FILMIC DISCOURSE OF DURAS,MARGUERITE, Nottingham French studies, 34(2), 1995, pp. 55-66
Citation: Sd. Menager, TRACES - THE WRITER AND HIS LANGUAGE AS S EEN IN SEBBAR,LEILA 'SILENCE DES RIVES', Nottingham French studies, 34(2), 1995, pp. 67-74
Citation: R. Smith, POWER IS NOT AN INSTITUTION - HUMOR AND POLITICS IN 'DES AVEUGLES'( GUIBERT,HER VE ), Nottingham French studies, 34(1), 1995, pp. 15-23
Citation: E. Mccaffrey, THE DEPICTION OF SUPERSTITION IN 'VOUS MA VEZ FAIT FORMER DES FANTOMES' + GUIBERT,HERVE, Nottingham French studies, 34(1), 1995, pp. 24-31