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Results: 1-25/290
Authors:
Brenkman, J
Citation: J. Brenkman, On voice (The difference between narrative theory and novel theory as antagonistic genres of criticism), NOVEL, 33(3), 2000, pp. 281-306
Authors:
Berger, C
Citation: C. Berger, When bad things happen to bad people: Liability and individual consciousness in 'Adam Bede' and 'Silas Marner', NOVEL, 33(3), 2000, pp. 307-327
Authors:
Berman, CV
Citation: Cv. Berman, Creole family politics in 'Uncle Tom's Cabin' and 'Incidents in the Life of a Slave Girl', NOVEL, 33(3), 2000, pp. 328-352
Authors:
Juengel, SJ
Citation: Sj. Juengel, Face, figure, physiognomics: Mary Shelley's 'Frankenstein' and the moving image, NOVEL, 33(3), 2000, pp. 353-376
Authors:
Tolentino, C
Citation: C. Tolentino, The road out of the black belt: Sociology's fictions and black subjectivity in 'Native Son' (Richard Wright's liberal interpretations of the "Negro problem"), NOVEL, 33(3), 2000, pp. 377-405
Authors:
Marx, J
Citation: J. Marx, Modernism, romance, and the fin-de-siecle: Popular British fiction and British culture, 1880-1914, NOVEL, 33(3), 2000, pp. 407-411
Authors:
Marx, J
Citation: J. Marx, Reproductive urges: Popular novel-reading, sexuality, and the English nation, NOVEL, 33(3), 2000, pp. 407-411
Authors:
Walters, W
Citation: W. Walters, Raising the dead: Readings of death and (Black) subjectivity, NOVEL, 33(3), 2000, pp. 412-414
Authors:
Barlowe, J
Citation: J. Barlowe, Dirt and desire: Reconstructing Southern women's writing, 1930-1990, NOVEL, 33(3), 2000, pp. 415-418
Authors:
McCracken-Flesher, C
Citation: C. Mccracken-flesher, The modern Scottish novel: Narrative and the national imagination, NOVEL, 33(3), 2000, pp. 419-423
Authors:
Kershner, RB
Citation: Rb. Kershner, Advertising and commodity culture in Joyce, NOVEL, 33(3), 2000, pp. 424-431
Authors:
Kershner, BR
Citation: Br. Kershner, Transcultural Joyce, NOVEL, 33(3), 2000, pp. 424-431
Authors:
Kershner, BR
Citation: Br. Kershner, Quare Joyce, NOVEL, 33(3), 2000, pp. 424-431
Authors:
Catano, JV
Citation: Jv. Catano, Detective agency: Women rewriting the hard-boiled tradition, NOVEL, 33(3), 2000, pp. 432-439
Authors:
Catano, JV
Citation: Jv. Catano, The web of iniquity: Early detective fiction by American women, NOVEL, 33(3), 2000, pp. 432-439
Authors:
Catano, JV
Citation: Jv. Catano, Diversity and detective fiction, NOVEL, 33(3), 2000, pp. 432-439
Authors:
Samuels, WF
Citation: Wf. Samuels, Master plots: Race and the founding of an American literature, 1787-1845, NOVEL, 33(3), 2000, pp. 440-443
Authors:
Temple, K
Citation: K. Temple, Printing like a post-colonialist: The Irish piracy of 'Sir Charles Grandison' (Samuel Richardson), NOVEL, 33(2), 2000, pp. 157-174
Authors:
Reitz, C
Citation: C. Reitz, Bad cop/good cop: Godwin, Mill and the imperial origins of the English detective, NOVEL, 33(2), 2000, pp. 175-195
Authors:
Jones, A
Citation: A. Jones, A victim in search of a torturer: Reading masochism in Wilkie Collins's 'No Name', NOVEL, 33(2), 2000, pp. 196-211
Authors:
Zimring, R
Citation: R. Zimring, The make-up of Jean Rhys's fiction, NOVEL, 33(2), 2000, pp. 212-234
Authors:
Wallace, EK
Citation: Ek. Wallace, Telling untold stories: Philippa Gregory's A 'Respectable Trade' and DavidDabydeen's A 'Harlot's Progress', NOVEL, 33(2), 2000, pp. 235-252
Authors:
Bauer, DM
Citation: Dm. Bauer, Sentimental materialism: Gender, commodity culture, and nineteenth-centuryAmerican literature, NOVEL, 33(2), 2000, pp. 253-255
Authors:
Duane, AM
Citation: Am. Duane, The masochistic pleasures of sentimental literature, NOVEL, 33(2), 2000, pp. 256-258
Authors:
Lazarus, N
Citation: N. Lazarus, Gender, race, and the writing of empire: Public discourse and the Boer War, NOVEL, 33(2), 2000, pp. 259-260