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Results: 26-50/490
Authors:
Gruschke, A
Citation: A. Gruschke, Symbolic architecture in Pema, the Lotus Land of the Tibetan Ngolok nomads, ORIENT ART, 46(1), 2000, pp. 58-72
Authors:
Thakur, LS
Citation: Ls. Thakur, Buddhist bronzes from the Hindustan-Tibet Road: An appraisal of recent discoveries, ORIENT ART, 46(1), 2000, pp. 73-77
Authors:
Nelson, SE
Citation: Se. Nelson, Issues of Authenticity in Chinese Art, the Metropopolitan-Museum-of-Art, New-York, 11 December 1999 (A report), ORIENT ART, 46(1), 2000, pp. 78-79
Authors:
Kossak, S
Citation: S. Kossak, Forms and Transformations: Recent Developments in the Study of Tibetan Scuplture, Sotheby's Institute and the Ashmolean-Museum, held at Brunei-Gallery, School of Oriental and African Studies, London, 11 November 1999 (A report), ORIENT ART, 46(1), 2000, pp. 79-80
Authors:
Hardie, P
Citation: P. Hardie, Le Bleu-et-blanc-du-proche-orient-da-la-Chine organized by the Musee-Cernuschi and the Societe-Francaise-d'etude-de-la-Ceramique-Orientale at the Maison-Europeenne-de-la-Photographie, Paris, 22-23 October 1999 (A report), ORIENT ART, 46(1), 2000, pp. 80-81
Authors:
Kleiner, R
Citation: R. Kleiner, 'Treasures from the Sanctum of Enlightened Respect', ORIENT ART, 46(1), 2000, pp. 81-83
Authors:
Hardie, P
Citation: P. Hardie, Gilded Dragons - Buried Treasures from China's Golden Ages, ORIENT ART, 46(1), 2000, pp. 83-84
Authors:
Stadtner, DM
Citation: Dm. Stadtner, Norton-Simon-Museum-of-Art inauguration of new Asian art galleries, Pasadena, California, October 1999, ORIENT ART, 46(1), 2000, pp. 84-85
Authors:
Pang, T
Citation: T. Pang, Passion for Collecting, ORIENT ART, 46(1), 2000, pp. 86-87
Citation: Flowers of Silk and Gold: Four Centuries of Ottoman Embroidery, ORIENT ART, 46(1), 2000, pp. 88-89
Citation: Treasures from Ancient Beijing, ORIENT ART, 46(1), 2000, pp. 88-88
Citation: Three Chinese Traditions - Three Arizona Collections, ORIENT ART, 46(1), 2000, pp. 90-90
Citation: Nur Al-Quran, ORIENT ART, 46(1), 2000, pp. 91-91
Authors:
Kossak, S
Citation: S. Kossak, Early Central Tibetan hierarch portraits: New perspectives on identification and dating, ORIENT ART, 45(4), 1999, pp. 2-8
Authors:
O'Kane, B
Citation: B. O'Kane, The Bihbihani anthology and its antecedents, ORIENT ART, 45(4), 1999, pp. 9-18
Authors:
Carswell, J
Citation: J. Carswell, Kharakhoto and recent research in Inner Mongolia, ORIENT ART, 45(4), 1999, pp. 19-32
Authors:
Chou, KS
Citation: Ks. Chou, French Jesuits and Chinese lacquer in the Late 17th Century, ORIENT ART, 45(4), 1999, pp. 33-37
Authors:
Black, KE
Dege, E
Citation: Ke. Black et E. Dege, St. Ottilien's "Six True View Landscapes" by Chong Son (1676-1759), ORIENT ART, 45(4), 1999, pp. 38-51
Authors:
Kim, KP
Citation: Kp. Kim, A celebration of life; Patchwork and embroidered Pojagi by unknown Korean women, ORIENT ART, 45(4), 1999, pp. 52-58
Authors:
Chaves, J
Citation: J. Chaves, Painter-poet Wang-Fu (1362-1416), ORIENT ART, 45(4), 1999, pp. 59-61
Authors:
HartkampJonxis, E
Citation: E. Hartkampjonxis, Woven cargoes: Indian textiles in the East, ORIENT ART, 45(4), 1999, pp. 68-71
Authors:
Kitagawa, AR
Citation: Ar. Kitagawa, Substance beneath the symbols: Lacquer in Japanese culture, ORIENT ART, 45(3), 1999, pp. 2-15
Authors:
Yonemura, A
Citation: A. Yonemura, Decoration and representation in Japanese lacquer, ORIENT ART, 45(3), 1999, pp. 16-22
Authors:
Reynolds, V
Citation: V. Reynolds, The Tibetan renaissance of the 15th Century, ORIENT ART, 45(3), 1999, pp. 23-33
Authors:
Woodward, HW
Citation: Hw. Woodward, On Borobudur's upper terraces, ORIENT ART, 45(3), 1999, pp. 34-43