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Results: 51-75/490
Authors:
Bhattacharya, G
Citation: G. Bhattacharya, Visnu assuming the boar form, ORIENT ART, 45(3), 1999, pp. 44-47
Authors:
Liu, XY
Citation: Xy. Liu, Imperial export porcelain from Late-Yuan to Early-Ming, ORIENT ART, 45(3), 1999, pp. 48-54
Authors:
Diem, AI
Citation: Ai. Diem, Ceramics from Vijaya, Central Vietnam: Internal motivations and external influences (14th-late-15th Century), ORIENT ART, 45(3), 1999, pp. 55-64
Authors:
Song, H
Citation: H. Song, Liu-Jun, the great master of figure painting in the Ming-Court, ORIENT ART, 45(3), 1999, pp. 65-78
Authors:
Hasegawa, K
Citation: K. Hasegawa, Newly opened Gallery-of-Horyuji-Treasures at Tokyo-National-Museum, Tokyo, ORIENT ART, 45(3), 1999, pp. 79-80
Authors:
Pang, T
Citation: T. Pang, A Symposium on Visual Dimensions of Chinese Culture - Friday, March 26, 1999, Institute-for-Advanced-Study Princeton, New-Jersey, ORIENT ART, 45(3), 1999, pp. 81-82
Authors:
Pang, T
Citation: T. Pang, "Legacy of Macau" A Symposium - Foundation-Calouste-Gulbenkian Lisbon, Portugal 21-25 November 1999, ORIENT ART, 45(3), 1999, pp. 81-81
Authors:
Hasegawa, K
Citation: K. Hasegawa, From the Sacred Realm: Treasures of Tibetan Art in the Collection of the Newark Museum, ORIENT ART, 45(3), 1999, pp. 83-84
Authors:
Hasegawa, K
Citation: K. Hasegawa, The Resonance of the Qin in East Asian Art, ORIENT ART, 45(3), 1999, pp. 84-85
Authors:
Hasegawa, K
Citation: K. Hasegawa, Gilded Dragons: Buried Treasures from China's Golden Ages, ORIENT ART, 45(3), 1999, pp. 85-86
Authors:
Hasegawa, K
Citation: K. Hasegawa, Writing Arabic, ORIENT ART, 45(3), 1999, pp. 86-86
Authors:
Hasegawa, K
Citation: K. Hasegawa, The Light of the Great Buddha: Treasures of the Todaiji Temple, Nara, ORIENT ART, 45(3), 1999, pp. 86-87
Authors:
Chaves, J
Citation: J. Chaves, Painting and life in Eleventh-Century China: Mountain villa by Li Gonglin, ORIENT ART, 45(3), 1999, pp. 95-95
Authors:
Baumer, C
Citation: C. Baumer, Dandan-Oilik revisited: New findings a century later, ORIENT ART, 45(2), 1999, pp. 2-14
Authors:
Lee, J
Citation: J. Lee, A dated Avatamsaka-sutra scroll and the Korean origin of the Vairocana Buddha image in the wisdom-fist Mudra, ORIENT ART, 45(2), 1999, pp. 15-25
Authors:
Lee, H
Citation: H. Lee, The introduction of Blue-and-White wares from Ming China to Choson Korea, ORIENT ART, 45(2), 1999, pp. 26-37
Authors:
Tsang, KB
Citation: Kb. Tsang, Tiger story: A set of Chinese shadow puppets from Chengdu, Sichuan province, ORIENT ART, 45(2), 1999, pp. 38-49
Authors:
Chi, JH
Citation: Jh. Chi, Chinese Imperial and folk decoration arts from mid-17th to mid-18th Century, ORIENT ART, 45(2), 1999, pp. 50-61
Authors:
Little, S
Citation: S. Little, A 'Memorial Portrait of Zhuang Guan' (A study of the 15th century Ming dynasty portrait in the Honolulu-Academy-of-Arts), ORIENT ART, 45(2), 1999, pp. 62-74
Authors:
VanHout, I
Citation: I. Vanhout, Bird motifs in ikats from Sumba and Timor, ORIENT ART, 45(2), 1999, pp. 75-81
Authors:
Untracht, O
Citation: O. Untracht, South Indian adornment: Sacred and secular, ORIENT ART, 45(2), 1999, pp. 82-95
Authors:
Karetzky, P
Citation: P. Karetzky, A 'Meditation on Materials': The contemporary sculptural art of Sui Jianguo, ORIENT ART, 45(2), 1999, pp. 96-99
Citation: Precious silks: Medieval textiles from Europe to China, ORIENT ART, 45(2), 1999, pp. 100-101
Citation: Chan Ky-yut: Paintings and artists books, ORIENT ART, 45(2), 1999, pp. 101-101
Citation: Kagura: The Oka figt of Japanese ritual masks, ORIENT ART, 45(2), 1999, pp. 101-102