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Results: 101-125/490
Citation: 'Adorning the Words of Man and God', ORIENT ART, 45(1), 1999, pp. 103-103
Citation: Crosscurrents: Masterpieces of East Asian art from New York private collections, ORIENT ART, 45(1), 1999, pp. 104-106
Citation: The embodied image; Chinese calligraphy from the John B Elliott Collection, ORIENT ART, 45(1), 1999, pp. 106-107
Citation: Asian-Export-Collection Peabody Essex Museum Salem, Massachusetts, ORIENT ART, 45(1), 1999, pp. 107-108
Citation: Great Cities, Small Treasures: The ancient world of the Indus Valley, ORIENT ART, 45(1), 1999, pp. 108-108
Citation: Beyond the legacy, Freer Gallery of Art, Smithsonian-Institution, Washington, DC (Museum celebrates its 75th anniversary with exhibition of gifts from its collections), ORIENT ART, 45(1), 1999, pp. 109-109
Authors:
Lau, A
Citation: A. Lau, Editorial (Buddhism and art), ORIENT ART, 44(4), 1998, pp. 1-1
Authors:
Ning, Q
Citation: Q. Ning, Diplomatic icons: Social and political meanings of Khotanese images in Dunhuang Cave 220, ORIENT ART, 44(4), 1998, pp. 2-15
Authors:
Caswell, JO
Citation: Jo. Caswell, The significance of local styles in Northern Wei Buddhist cave-temples, ORIENT ART, 44(4), 1998, pp. 16-29
Authors:
Karetzky, PE
Citation: Pe. Karetzky, Women in the life of Buddha: Ancient literary and Indian pictorial sources, ORIENT ART, 44(4), 1998, pp. 30-38
Authors:
Pepper, F
Citation: F. Pepper, The Thousand Buddha motif: A visual chant in cave-temples along the Silk Road, ORIENT ART, 44(4), 1998, pp. 39-45
Authors:
Baumer, C
Citation: C. Baumer, Pa-Lha-Phug Gompa: The oldest extant Bonpo murals of Tibet discovered?, ORIENT ART, 44(4), 1998, pp. 46-51
Authors:
Neumann, HF
Citation: Hf. Neumann, The Cave of the Offering Goddesses: Early painting in Western Tibet, ORIENT ART, 44(4), 1998, pp. 52-60
Authors:
Pang, T
Citation: T. Pang, Some Chinese glazed tiles of the 6th Century, ORIENT ART, 44(4), 1998, pp. 61-68
Authors:
Tan, RC
Citation: Rc. Tan, A note on the dating of Ming Minyao Blue and White ware, ORIENT ART, 44(4), 1998, pp. 69-76
Authors:
Addiss, S
Citation: S. Addiss, Two master potters of Tokoname (Takeuchi Kimiaki and Yoshikawa Masamichi), ORIENT ART, 44(4), 1998, pp. 77-82
Authors:
Henss, M
Citation: M. Henss, Sacred Visions: Early Paintings from Central Tibet, ORIENT ART, 44(4), 1998, pp. 83-93
Authors:
Hardie, P
Citation: P. Hardie, Kalighat Icons: Paintings from 19th Century Calcutta, ORIENT ART, 44(4), 1998, pp. 94-97
Authors:
Lau, A
Citation: A. Lau, Royal Persian Paintings: The Qajar Epoch 1785-1925, ORIENT ART, 44(4), 1998, pp. 98-99
Authors:
Lau, A
Citation: A. Lau, 100 Masterpieces of Imperial Chinese Ceramics from the Au Bak Ling Collection, ORIENT ART, 44(4), 1998, pp. 100-100
Authors:
Lau, A
Citation: A. Lau, Woven World: Ikats from Sumba, ORIENT ART, 44(4), 1998, pp. 101-101
Authors:
Lau, A
Citation: A. Lau, In the Footsteps of the Buddha, ORIENT ART, 44(4), 1998, pp. 102-102
Authors:
Lau, A
Citation: A. Lau, Horizons of the Sacred: The Tibetan View of Shangri-la, ORIENT ART, 44(4), 1998, pp. 103-104
Authors:
Pang, T
Thurman, R
Citation: T. Pang et R. Thurman, In conversation (An interview with Professor Robert Thurman), ORIENT ART, 44(4), 1998, pp. 104-105
Authors:
Lau, A
Citation: A. Lau, The Art of Japanese Lacquer, Arthur M Sackler Museum, Harvard University Cambridge, Massachusetts, 26 September 1998 (A report of the symposium), ORIENT ART, 44(4), 1998, pp. 111-111