Citation: A. Lau, UNTITLED (PAPERS FROM THE RECENT SYMPOSIUM ON THE ROCK IN CHINESE ART, HARVARD-UNIVERSITY ART-MUSEUMS), Oriental art, 44(1), 1998, pp. 1-1
Citation: Mj. Powers, GARDEN ROCKS, FRACTALS, AND FREEDOM - TAO,YUANMING COMES HOME (THE IMPORTANCE OF THE HANDSCROLL 'TAO YUANMING RETURNING TO SECLUSION' FOR DOCUMENTING THE VISUAL EXPRESSIONS OF PERSONAL FREEDOM IN MID-SONG TIMES), Oriental art, 44(1), 1998, pp. 28-38
Citation: Lj. Monahan, FINESSING THE FOUND - 20TH-CENTURY ENCOUNTERS WITH THE NATURAL OBJECT(REPRESENTATIONAL ASPECTS OF THE SCHOLARS ROCK), Oriental art, 44(1), 1998, pp. 39-45
Citation: Jo. Caswell, 4 RECENTLY DISCOVERED CHINESE PAINTINGS (ILLUSTRATED DETAILS FROM THESCROLLS, 'QINGMING SHANGHE TU', 'LOHANS', 'NINE SONGS' AND THE 'NOURISHMENT OF MIST AND CLOUD' BY MI,YOUREN), Oriental art, 44(1), 1998, pp. 46-55
Citation: S. Hillyerlevitt, KRSNAS REVELATION OF HIS DIVINE FORM TO ARJUNA (SOME ILLUSTRATED MANUSCRIPTS OF THE BHAGAVADGITA), Oriental art, 44(1), 1998, pp. 56-60
Citation: A. Topsfield, INDIAN ART AT THE ASHMOLEAN-MUSEUM (SELECTED EXAMPLES FROM THE HOLDINGS IN THE MUSEUMS COLLECTION), Oriental art, 43(4), 1997, pp. 23-30
Citation: L. Borota, CHINESE PAINTINGS AT THE LEE-KONG-CHIAN-ART-MUSEUM, SINGAPORE (A PORTFOLIO OF SOME OF THE HOLDINGS IN THE COLLECTION), Oriental art, 43(4), 1997, pp. 40-48
Citation: C. Farinos, 47TH VENICE-BIENNALE REVIEW - JAPAN AND KOREA (INSTALLATIONS AND EXHIBITED WORKS PRESENTED AT THE JAPANESE-PAVILION AND THE KOREAN PAVILION), Oriental art, 43(4), 1997, pp. 62-62
Citation: J. Stuart, CALLING BACK THE ANCESTORS SHADOW - CHINESE RITUAL AND COMMEMORATIVE PORTRAITS (SELECTED WORKS FROM THE COLLECTION IN THE ARTHUR-M-SACKLER-GALLERY), Oriental art, 43(3), 1997, pp. 8-17