Citation: F. Grijzenhout, IMAGES OF DISCORD - A GRAPHIC INTERPRETAT ION OF THE OPENING DECADES OF THE 80 YEARS WAR - TANIS,J, HORST,D, Oud-Holland, 109(3), 1995, pp. 173-174
Citation: Jc. Wilson, ISENBRANT,ADRIAEN AND THE PROBLEM OF HIS OEUVRE - THOUGHTS ON AUTHORSHIP, STYLE AND THE METHODOLOGY OF CONNOISSEURSHIP, Oud-Holland, 109(1-2), 1995, pp. 1-17
Citation: F. Scholten, APOTHEOSIS OF THE HERO - EGGERS,BARTHOLOM EUS AND THE MONUMENT OF VANWASSENAEROBDAM,JACOB IN THE HAGUE, 1667, Oud-Holland, 109(1-2), 1995, pp. 63-88
Citation: H. Postma, REMBRANDT AND THE FEAST OF ST-LUKE PAINTI NG CONTEST OF 1654 - NEW HYPOTHESIS ON HIS 'PALAS ATENEIA' IN THE LISBON GULBENKIAN MUSEUM, Oud-Holland, 109(1-2), 1995, pp. 89-94
Citation: M. Halbertsma, THE STATUS OF THE ARTIST - DUTCH PAINTERS IN THE 1ST-HALF OF THE 19TH-CENTURY - DUTCH - HOOGENBOOM,A, Oud-Holland, 109(1-2), 1995, pp. 115-117
Citation: H. Vaderveldens, THE 'KINGS BROTHER THREATENED WITH DEATH' - ONE OF THE FEW SURVIVING 15TH-CENTURY JUSTICE PICTURE IN THE NETHERLANDS, Oud-Holland, 108(4), 1994, pp. 157-170
Citation: J. Bruyn, NEW FINDINGS REGARDING BOL,FERDINAND 'POR TRAIT OF A COUPLE IN A LANDSCAPE' IN THE DORDRECHT MUSEUM AND THE LYON MUSEUM, Oud-Holland, 108(4), 1994, pp. 208-214
Citation: Cja. Wansink, THE HISTORY PAINTINGS AND PORTRAITS OF FO RGOTTEN ROTTERDAM PAINTER VEEN,PIETER (1667-1736), Oud-Holland, 108(4), 1994, pp. 215-235
Citation: T. Streng, REALISM IN OLD DUTCH ART SCHOOLS - INITIA L APPEARANCE AND WIDE USAGEOF THE TERM REALISM IN THE NETHERLANDS BETWEEN 1850 AND 1875, Oud-Holland, 108(4), 1994, pp. 236-250
Citation: H. Miedema, DE 'LOF DER SCHILDERKUNST' - REGARDING TH E PAINTINGS OF DOU,GERRIT (1613-1675) WITH A TRACTATE FROM ANGEL,PHILIPS IN 1642 - DUTCH - SLUIJTER,EJ, Oud-Holland, 108(4), 1994, pp. 251-255
Citation: S. Grieten, TOWER-OF-BABEL PAINTINGS IN THE MAURITSHU IS - THE RELATION BETWEEN THE 15TH-CENTURY ARTS OF MINIATURE AND PAINTING IN THE NETHERLANDS, Oud-Holland, 108(3), 1994, pp. 109-119
Citation: F. Keers, BIBLIOGRAPHIC NOTES BY BROOS,BEN - LOVE, CUNNING AND SUFFERING - HISTORICAL DOCUMENTS FROM THE MAURITSHAUS, Oud-Holland, 108(3), 1994, pp. 137-140
Citation: H. Miedema, CONCORDIA-PRAGENSIS - THE ART-THEORY OF V ANMANDER,KAREL IN HIS 'SCHILDER BOECK' - RHETORICIZING ART AND LIFE BY RUDOLF-II COURT ARTIST - GERMAN - MULLER,J, Oud-Holland, 108(3), 1994, pp. 149-155
Citation: Mj. Bok, THE LIFE OF DUTCH PAINTER VANDERSCHOOR,AE LBERT (BORN IN UTRECHT IN OR BEFORE 1603, DIED AFTER 1672, POSSIBLY IN UTRECHT), Oud-Holland, 108(2), 1994, pp. 59-64