Citation: H. Miedema, DIDO-REDIVIVA, OR SOONER TURKISH THAN POP ISH - A PAINTING WITH OVERTONES OF INSURGENCY BY COIGNET,GILLIS, Oud-Holland, 108(2), 1994, pp. 79-86
Citation: J. Dijkstra, THE NATIONAL-MUSEUM-OF-ANCIENT-ART AND TH E NATIONAL-MUSEUM-OF-CERAMIC-TILES IN LISBON, VOL 1 - FRENCH - LIEVENSDEWAEGH,ML, Oud-Holland, 108(1), 1994, pp. 17-19
Citation: H. Miedema, WRITING ON ART - AN ASSESSMENT OF DUTCH L ANGUAGE PUBLICATIONS IN THEREALM OF ART THEORY AND AESTHETICS 1670-1820 - DUTCH - DEMAN,J, HOWELER,A, Oud-Holland, 108(1), 1994, pp. 25-26
Citation: P. Knolle, FESTIVALS FOR THE FATHERLAND - PATRIOTISM AND BATAVIAN CELEBRATIONS 1780-1806 - DUTCH - GRIJZENHOUT,F, Oud-Holland, 108(1), 1994, pp. 27-35
Citation: Fm. Kammel, LATE GOTHIC AND MORE - A PREVIOUSLY UNKNO WN FRANCISCAN RETABLE FROM THE BORMAN,PASQUIER CIRCLE, Oud-Holland, 107(4), 1993, pp. 352-371
Citation: Hu. Beck, IDENTIFICATION OF AN UNKNOWN LITHOGRAPH C OLLECTORS MARK LUGT-2986B -HELMOT,JACOB OF HARLEM, Oud-Holland, 107(4), 1993, pp. 372-377
Citation: Rj. Littman, AN ERROR IN THE MENETEKEL INSCRIPTION IN REMBRANDT 'BELSHAZZARS FEAST' IN THE NATIONAL-GALLERY IN LONDON, Oud-Holland, 107(3), 1993, pp. 296-297
Citation: Jm. Muller, HEROIC DEEDS AND MYSTIC FIGURES, A NEW READING OF RUBENS 'LIFE OF MARIA DE MEDICI' - MILLEN,RF, WOLF,RE, Oud-Holland, 107(3), 1993, pp. 305-310
Citation: Rj. Baarsen, FRENCH-STYLE MARQUETRY COMMODES IN THE NE THERLANDS - HORRIX,MATTHIJS(1735-1809), FURNITURE MAKER IN THE HAGUE, 2ND-HALF OF THE 18TH-CENTURY, Oud-Holland, 107(2), 1993, pp. 161-255