AAAAAA
Results: 1-25/102
Authors:
Schwartz, J
Block, E
Citation: J. Schwartz et E. Block, John D. McCabe (1935-2000): Obituary, RENASCENCE, 53(3), 2001, pp. 171-172
Authors:
Bruns, GL
Citation: Gl. Bruns, The obscurity of modern poetry: An essay on intimate realism - In memory of John McCabe, RENASCENCE, 53(3), 2001, pp. 173-190
Authors:
Baker, MJ
Citation: Mj. Baker, Appeals for pity in the 'Heptameron' (Marguerite de Navarre as theologian), RENASCENCE, 53(3), 2001, pp. 191-205
Authors:
Hotz, ME
Citation: Me. Hotz, Precious to grace: Necessary desolation in Pope's 'Eloisa to Abelard' (Themonastic and Catholic dimensions of the poem), RENASCENCE, 53(3), 2001, pp. 207-226
Authors:
Schwartz, J
Citation: J. Schwartz, Chesterton on the idea of Christian tragedy (In Shakespeare's Macbeth), RENASCENCE, 53(3), 2001, pp. 227-238
Authors:
Levy, E
Citation: E. Levy, The problematic relation between reason and emotion in 'Hamlet', RENASCENCE, 53(2), 2001, pp. 83-95
Authors:
Ward, DA
Citation: Da. Ward, Transformed religion: Matthew Arnold and the refining of dissent, RENASCENCE, 53(2), 2001, pp. 97-117
Authors:
Overaker, LJ
Citation: Lj. Overaker, Manifestations of the Holy Ghost in Flaubert's Un 'Coeur Simple', RENASCENCE, 53(2), 2001, pp. 119-148
Authors:
Robichaud, P
Citation: P. Robichaud, The undoing of all things: Malorian language and allusion in David Jones' 'In Parenthesis', RENASCENCE, 53(2), 2001, pp. 149-165
Authors:
Pastoor, C
Citation: C. Pastoor, The subversion of prodigal son comedy in The 'Merchant of Venice' (Shakespeare's use of parable), RENASCENCE, 53(1), 2000, pp. 3-22
Authors:
Demaray, HD
Citation: Hd. Demaray, Milton and the "intelligible flame": "Sweet converse" in the poetry and prose (Insight into the vexing issue of Milton's very individualized views onwomen in 'Paradise Lost'), RENASCENCE, 53(1), 2000, pp. 23-42
Authors:
Wiesenfarth, J
Citation: J. Wiesenfarth, Ford's Joseph Conrad: A personal remembrance as metafiction: Or, how Conrad became an Elizabethan poet (Joseph Conrad's novels in collaboration with Ford Madox Ford), RENASCENCE, 53(1), 2000, pp. 43-60
Authors:
O'Gorman, F
Citation: F. O'Gorman, The angelic artist in the fiction of Flannery O'Connor and Walker Percy (Their affinities as Catholic authors in the American South), RENASCENCE, 53(1), 2000, pp. 61-79
Authors:
Young, RV
Citation: Rv. Young, Love, poetry and John Donne in the love poetry of John Donne, RENASCENCE, 52(4), 2000, pp. 251-273
Authors:
Goslee, D
Citation: D. Goslee, New(-)man as old man in The 'Dream of Gerontius' (John Henry Newman), RENASCENCE, 52(4), 2000, pp. 275-291
Authors:
Coates, J
Citation: J. Coates, The moral argument of Elizabeth Bowen's ghost stories, RENASCENCE, 52(4), 2000, pp. 293-309
Authors:
Fike, M
Citation: M. Fike, The Timothy allusion in A 'Good Man Is Hard To Find' (Flannery O'Connor and the significance of place names in her works), RENASCENCE, 52(4), 2000, pp. 311-321
Authors:
Oser, L
Citation: L. Oser, Almost a golden world: Sidney, Spenser, and Puritan conflict in Bradstreet's 'contemplations', RENASCENCE, 52(3), 2000, pp. 187-202
Authors:
Curtis, J
Citation: J. Curtis, W.H. Auden's 'Vespers': A Christian refutation of utopian dreams of ultimate fulfillment, RENASCENCE, 52(3), 2000, pp. 203-217
Authors:
Desmond, JF
Citation: Jf. Desmond, Walker Percy's Eucharistic vision, RENASCENCE, 52(3), 2000, pp. 219-231
Authors:
Cunneen, J
Citation: J. Cunneen, The fugitive boy of Jean Sulivan, RENASCENCE, 52(3), 2000, pp. 233-242
Authors:
Wegemer, GB
Citation: Gb. Wegemer, Henry VIII on trial: Conscience in Shakespeare's 'All is True' ('Henry VIII'), RENASCENCE, 52(2), 2000, pp. 111-130
Authors:
Tanner, JS
Citation: Js. Tanner, The psychology of temptation in 'Perelandra' and 'Paradise Lost': What Lewis learned from Milton, RENASCENCE, 52(2), 2000, pp. 131-141
Authors:
Crowe, ME
Citation: Me. Crowe, Intimations of immortality: Catholicism in David Lodge's 'Paradise News', RENASCENCE, 52(2), 2000, pp. 143-161
Authors:
Christensen, L
Citation: L. Christensen, Spirit astir in the world: Wendell Berry's sacramental poetry, RENASCENCE, 52(2), 2000, pp. 163-181