AAAAAA
Results: 201-225/717
Authors:
Gil, M
Citation: M. Gil, An unpublished Book of Hours from Simon Marmion's workshop in Valenciennes(Medieval illumination), REV ART, (121), 1998, pp. 43-48
Authors:
Nayrolles, J
Citation: J. Nayrolles, Archaeology and rationalism - 19th-century restoration work on Romanesque church superstructures, REV ART, (121), 1998, pp. 49-60
Authors:
Laurent, C
Citation: C. Laurent, When August Perret defined 20th-century modern architecture (French ModernMovement), REV ART, (121), 1998, pp. 61-78
Authors:
Bonnet, P
Citation: P. Bonnet, An unpublished painting by Pierre-Jacques Cazes discovered at Batz-sur-Mer, REV ART, (121), 1998, pp. 79-81
Authors:
Allard, S
Citation: S. Allard, Correggio's frescoes in Parma Cathedral, REV ART, (121), 1998, pp. 82-83
Authors:
Allard, S
Citation: S. Allard, Christ Mise-au-Tombeau statuary in 15th and 16th-century Western Europe, REV ART, (121), 1998, pp. 82-82
Authors:
Crepin-Leblond, T
Citation: T. Crepin-leblond, Tapestries for the courts of Federico II, Ercole and Ferrante Gonzaga, 1522-63, REV ART, (121), 1998, pp. 83-84
Authors:
Scaillierez, C
Citation: C. Scaillierez, Corneille de La Haye, called Corneille de Lyon (1500/1510-1575), REV ART, (121), 1998, pp. 84-85
Authors:
Gallo, D
Citation: D. Gallo, The museums of Europe on the eve of the Louvre's opening, REV ART, (121), 1998, pp. 85-96
Authors:
Bonfait, O
Citation: O. Bonfait, Gaspar van Wittel, REV ART, (121), 1998, pp. 85-85
Authors:
le Pas de Secheval, A
Citation: A. Le Pas De Secheval, The "lives" of artists, REV ART, (121), 1998, pp. 86-87
Authors:
le Pas de Secheval, A
Citation: A. Le Pas De Secheval, Charles Poerson, 1609-1667, REV ART, (121), 1998, pp. 87-88
Authors:
Le Pas de Secheval, A
Citation: A. Le Pas De Secheval, Georges de La Tour, REV ART, (121), 1998, pp. 87-87
Authors:
Prevost-Marcilhacy, P
Citation: P. Prevost-marcilhacy, Understanding eclecticism, REV ART, (121), 1998, pp. 88-89
Authors:
Cahn, I
Citation: I. Cahn, Van Gogh's progress. Utopia, modernity and late 19th-century art, REV ART, (121), 1998, pp. 89-89
Authors:
Jobert, B
Citation: B. Jobert, Ernst Rietschel as draftsman, REV ART, (121), 1998, pp. 89-89
Authors:
Cahn, I
Citation: I. Cahn, The copy turns original. Van Gogh and a new approach to traditional art practice, REV ART, (121), 1998, pp. 89-90
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Lipchitz, the sculptor, A world caught unawares within space, REV ART, (121), 1998, pp. 90-91
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Color. Essays by French artists from Poussin to Delaunay, REV ART, (121), 1998, pp. 90-90
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Picasso's paintings, watercolors, drawings and sculpture. Surrealism, 1930-1936. A comprehensive illustrated catalogue, REV ART, (121), 1998, pp. 91-91
Authors:
LOYER F
Citation: F. Loyer, IS 20TH-CENTURY ARCHITECTURE A PART OF TH E NATIONAL HERITAGE, Revue de l'art, (118), 1997, pp. 5-7
Authors:
HERZFISCHLER R
Citation: R. Herzfischler, THE GOLDEN NUMBER IN FRANCE FROM 1896 TO 1927, Revue de l'art, (118), 1997, pp. 9-16
Authors:
VAISSE P
Citation: P. Vaisse, LE-CORBUSIER AND HIS PERCEPTION OF GOTHIC, Revue de l'art, (118), 1997, pp. 17-27
Authors:
BERGERON C
Citation: C. Bergeron, THE UNDERGROUND BASILICA OF LA SAINTE-BAU ME - A TRIANGLE OF COLLABORATION BETWEEN LE-CORBUSIER, COUTURIER AND CLAUDEL, Revue de l'art, (118), 1997, pp. 28-40
Authors:
MINNAERT JB
Citation: Jb. Minnaert, SAUVAGE,HENRI, THE PATENTS AND THE QUICK CONSTRUCTION (PREFABRICATIONIN ARCHITECTURE), Revue de l'art, (118), 1997, pp. 41-55