Citation: V. Ayroles, DECORCHEMONT,FRANCOIS AND THE MAISON ROUA RD, A 20TH-CENTURY ARTIST AND HIS MODERN DECORATIVE-ARTS GALLERY, Revue de l'art, (118), 1997, pp. 56-68
Citation: S. Kerspern, CHAMPAIGNE,PHILIPPE,DE, THE POSSIBLE AUTH OR OF A RESURRECTION IN THECHURCH OF PONT-SUR-SEINE, Revue de l'art, (118), 1997, pp. 78-80
Citation: F. Lemerle, ARCHITECTURE, VOL 1, BOOKS I-V OF 'TUTTE LOPERE DARCHITETTURA E PROSPETIVA' BY SELIO,SEBASTIANO - TRANSLATED FROM THE ITALIAN WITH AN INTRODUCTION AND COMMENTARY BY HART,VAUGHAN AND HICKS,PETER - SERLIO,S, HART,V, HICKS,P, Revue de l'art, (118), 1997, pp. 81-82
Citation: C. Heck, GRUNEWALD,MATTHIAS OUR-LADY-OF-THE-SNOWS ALTAR IN ASCHAFFENBURGER - HISTORY, RESTORATION, ICONOGRAPHY - GERMAN - HUBACH,H, Revue de l'art, (118), 1997, pp. 81-81
Citation: C. Mignot, THE COTTE,ROBERT,DE ARCHITECTURAL DRAWING S IN THE FRENCH NATIONAL LIBRARY COLLECTION - FRENCH - FOSSIER,F, Revue de l'art, (118), 1997, pp. 83-83
Citation: C. Mignot, COTTE,ROBERT,DE AND THE PERFECTION OF ARC HITECTURE IN 18-CENTURY FRANCE - FRENCH - NEUMAN,R, Revue de l'art, (118), 1997, pp. 83-84
Citation: D. Gallo, PALLAVICINI,NICCOLO,MARIA AND HIS ASCENT TO THE TEMPLE OF VIRTUE THROUGH ART PATRONAGE - ITALIAN - RUDOLPH,S, Revue de l'art, (118), 1997, pp. 84-84
Citation: O. Bonfait, CONFERENCES OF THE ROYAL-ACADEMY OF PAINT ING AND SCULPTURE IN 17TH-CENTURY PARIS - FRENCH - MEROT,A, Revue de l'art, (118), 1997, pp. 85-85
Citation: G. Ragot, THE 30S - ARCHITECTURE AND THE ARTS OF SP ACE BETWEEN INDUSTRY AND NOSTALGIA - FRENCH - COHEN,JL, Revue de l'art, (118), 1997, pp. 85-86
Citation: E. Brugerolles et D. Guillet, HURET,GREGOIRE, DRAFTSMAN AND PRINTER -CENTURY FRENCH DRAWINGS, PRINTS( 1 7TH), Revue de l'art, (117), 1997, pp. 9-35
Citation: D. Martens, BETWEEN ITALY AND FLANDERS -CENTURY ECLECTIC ART - THE 'VIRGO INTER VIRGINES' OF HOLBEIN,HANS THE ELDER AND ITS SOURCES( 16TH), Revue de l'art, (117), 1997, pp. 36-47
Citation: V. Juren, SPAGNOLO,PIETRO AND JUSTUS-OF-GHENT - AN UNPUBLISHED DRAWING AFTER THE ALTARPIECE OF CORPUS-DOMINI IN URBINO, Revue de l'art, (117), 1997, pp. 48-53
Citation: E. Posseme, THE SALON-DE-BOIS IN THE UNION CENTRALE-D ES-ARTS-DECORATIFS AT THE EXPOSITION-UNIVERSELLE OF 1900, Revue de l'art, (117), 1997, pp. 64-70
Citation: P. Curie et Jp. Maisonnave, A REDISCOVERED PAINTING BY TERBRUGGHEN,HE NDRICK AND HIS STUDIO IN A BORDEAUX CHURCH, Revue de l'art, (117), 1997, pp. 71-73
Citation: P. Senechal, THE MYTH OF APOLLO AND MARSYAS IN THE ART OF THE ITALIAN RENAISSANCE - AN INQUIRY INTO THE MEANING OF IMAGES - WYSS,E, Revue de l'art, (117), 1997, pp. 75-76