Citation: M. Barthelemy, 'AMPHITRYON 38' - FROM C OMEDY TO OPERA( GIRAUDOUX,JEAN ), Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 375-390
Citation: F. Bassan, THE CREATION OF 'MARION DE LORME' + HUGO, VICTOR, FRENCH POLITICS, DRAMA, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 431-446
Citation: Sd. Menager, VERTIGO - T HE SENSATION OF ALTITUDE AS A FOUNDING PRINCIPLE OF GENETPLAYS( CONTEMPORARY FRENCH THEATER ), Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 447-454
Citation: F. Vert, BAROQUISM AND THEATRALITY - THE THEATER O F OF ROTROU,JEAN - FRENCH -VUILLEMIN,JC, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 455-457
Citation: Md. Rougemont, PARISIAN ENTERTAINMENTS DURING THE REVOLU TION - AN ANALYTIC, CHRONOLOGICAL, AND BIBLIOGRAPHIC REPERTORY - FRENCH - TISSIER,A, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 457-459
Citation: F. Moreau, MIMESIS OF 17TH-CENTURY THEATER AESTHETIC - HISTORY OF A REFLECTION -FRENCH - PASQUIER,P, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 459-460
Citation: G. Boquet, THEATER, A REFLECTION OF THE 4TH-REPUBLIC - FRENCH - LATOUR,G, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 460-461
Citation: G. Boquet, THE COMPLETE THEATRICAL WORKS, VOLS 1 AND 6 - FRENCH - WEDEKIND,F, BESSON,JL, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 461-461
Citation: Mf. Christout, RUBINSTEIN,IDA - A FORGOTTON STAR OF YEST ERYEAR - FRENCH - DEPAULIS,J, Revue de la Societe d'histoire du theatre, 48(4), 1996, pp. 462-462
Citation: G. Teissier, GIRAUDOUX,JEAN LA 'FOLLE DE CHAILLOT' IN QUEBEC - PRESENTATIONS AND ADAPTATIONS, Revue de la Societe d'histoire du theatre, 48(3), 1996, pp. 279-292
Citation: Jp. Montagnier, BOYER,CLAUDE LIBRETTIST - CRITICAL NOTES ON 'MEDUSE' (1697), Revue de la Societe d'histoire du theatre, 48(3), 1996, pp. 303-320
Citation: Ab. Kerr, LE BAISER DE LA SCENE - RIST,CHRISTIAN, T HE EUROPEAN VERSION OF THE ACTORS STUDIO, AND LA 'VEUVE' OF CORNEILLE, Revue de la Societe d'histoire du theatre, 48(3), 1996, pp. 321-336
Citation: G. Conesa, THE DRAMATIC ART OF CORNEILLE - ESSAY ON THE ORIGINS - FRENCH - FORESTIER,G, Revue de la Societe d'histoire du theatre, 48(3), 1996, pp. 362-364
Citation: D. Gontard, THEYYAM, AN ANALYTICAL STUDY OF THE FOLK- CULTURE, WISDOM AND PERSONALITY - PALLATH,JJ, Revue de la Societe d'histoire du theatre, 48(3), 1996, pp. 364-365
Citation: Pl. Mignon, SERVING MODERN AUTHORS IS AND SHOULD BE O UR ESSENTIAL ROLE + BARRAULT,JEAN,LOUIS AS A STAGE DIRECTOR, Revue de la Societe d'histoire du theatre, 48(1-2), 1996, pp. 123-158
Citation: E. Cleynenserghiev, BAPTISTE, THE CHILD OF PARADISE AND THE S AD CLOWN + CORRESPONDENCE BETWEEN IONESCO,EUGENE AND BARRAULT,JEAN,LOUIS, Revue de la Societe d'histoire du theatre, 48(1-2), 1996, pp. 169-182