Citation: Ms. Ashbourne, Laetatus sum in his quae dicta sunt mihi: In domum Domini ibimus ('Semiotics and Church Architecture' by Gerard Lukken and Mark Searle), SEMIOTICA, 123(3-4), 1999, pp. 299-325
Citation: Jg. Meunier, Towards an integrated semantic theory ('Semantique pour l'analyse': 'De lalinguistique l'informatique' by Francois Rastier, Marc Cavazza, and Anne Abeille), SEMIOTICA, 123(3-4), 1999, pp. 343-347
Citation: R. Monelle, Two musical semiologists (Eero Tarasti, A 'Theory of Musical Semiotics' and David Lidov, 'Elements of Semiotics'), SEMIOTICA, 123(3-4), 1999, pp. 349-355
Citation: Ra. Champagne, Roland Barthes the pianist: The mediation of his music ('Barthes and Utopia': 'Space, Travel, Writing' by Diana Knight), SEMIOTICA, 123(3-4), 1999, pp. 357-366
Citation: J. Deledalle-rhodes, Visual semiotics: Design as sign ('European Stamp Design': A 'Semiotic Approach to Designing Messages' by David Scott), SEMIOTICA, 123(3-4), 1999, pp. 367-375
Citation: B. Nichols, Ethnography, documentary, and semiotics ('Appropriating images': The 'semiotics of visual representation' by Keyan G. Tomaselli), SEMIOTICA, 123(3-4), 1999, pp. 377-379
Citation: M. Costantini, Conditions of legibility of the visible ('Semiotique du visible': 'Des mondes de lumiere' by Jacques Fontanille), SEMIOTICA, 123(3-4), 1999, pp. 387-395
Citation: G. Beattie et H. Shovelton, Do iconic hand gestures really contribute anything to the semantic information conveyed by speech? An experimental investigation, SEMIOTICA, 123(1-2), 1999, pp. 1-30
Citation: G. Barrier, Gestural and graphical expansiveness: Problems and perspectives of the segmentation of expressive movement, SEMIOTICA, 123(1-2), 1999, pp. 31-42
Citation: Nj. Owens et Ac. Harris, 'This-precious-stone-set-in-the-silver-sea': Literal and figurative references to jewelry in the plays of William Shakespeare, SEMIOTICA, 123(1-2), 1999, pp. 77-95