Citation: Ec. Hirschman et Cr. Sanders, MOTION-PICTURES AS METAPHORIC CONSUMPTION - HOW ANIMAL NARRATIVES TEACH US TO BE HUMAN, Semiotica, 115(1-2), 1997, pp. 53-79
Citation: P. Sulkunen et J. Torronen, CONSTRUCTING SPEAKER IMAGES - THE PROBLEM OF ENUNCIATION IN DISCOURSEANALYSIS, Semiotica, 115(1-2), 1997, pp. 121-146
Citation: F. Gandon, THEORETICAL AMBIVALENCE IN THE RESEARCH O F SAUSSURE,FERDINAND,DE ON LEGENDS AND THE 'NOTES ITEM', Semiotica, 115(1-2), 1997, pp. 173-189
Citation: Pm. Stpierre, QUELLE-HEURE-EST-IL, MONSIEUR RICOEUR - A SEMIOTIC NARRATOLOGY OF DURATION, TERM, TEMPO, AND REC(OE)URRENCE, TOL(LE)D FROM THE CRITICISM OFRICOEUR,PAUL, Semiotica, 114(1-2), 1997, pp. 21-30
Citation: G. Cosenza, GRICE, AUGUSTINE, AND ARISTOTLE - UNDERSTANDING ANCIENT SEMIOTIC THOUGHT IN ORDER TO UNDERSTAND CONTEMPORARY-THOUGHT, Semiotica, 114(1-2), 1997, pp. 151-168
Citation: Wc. Stokoe, DO YOU SEE WHAT I MEAN - PLAINS INDIAN SIGN TALK AND THE EMBODIMENT OF ACTION - FARNELL,B, Semiotica, 114(1-2), 1997, pp. 181-191
Citation: J. Deledallerhodes, AMBIGUITY, INTERPRETATION, AND MEANING IN THE WORK OF JAMES,HENRY - APEIRCEAN APPROACH, Semiotica, 113(3-4), 1997, pp. 207-221