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Table of contents of journal: *Simiolus

Results: 1-25/122

Authors: Wood, J
Citation: J. Wood, Orazio Gentileschi and some Netherlandish artists in London: The patronageof the Duke of Buckingham, Charles I and Henrietta Maria, SIMIOLUS, 28(3), 2000, pp. 103-128

Authors: Van Eck, X
Citation: X. Van Eck, Between restraint and excess: The decoration of the church of the Great Beguinage at Mechelen in the seventeenth century, SIMIOLUS, 28(3), 2000, pp. 129-162

Authors: McQueen, A
Citation: A. Mcqueen, Reinventing the biography, creating the myth: Rembrandt in nineteenth-century France, SIMIOLUS, 28(3), 2000, pp. 163-180

Authors: Zell, M
Citation: M. Zell, Eduard Kolloff and the historiographic romance of Rembrandt and the Jews, SIMIOLUS, 28(3), 2000, pp. 181-197

Authors: Wuestman, G
Citation: G. Wuestman, 'Copper into gold': Prints by John Raphael Smith, 1751-1812, SIMIOLUS, 28(3), 2000, pp. 198-202

Authors: Hommes, MVE
Citation: Mve. Hommes, Discoloration or chiaroscuro? An interpretation of the dark areas in Raphael's 'Transfiguration of Christ', SIMIOLUS, 28(1-2), 2000, pp. 4-43

Authors: Stumpel, J
Citation: J. Stumpel, A twelfth attempt: The subject of Rembrandt's 'History Piece' in Leiden, SIMIOLUS, 28(1-2), 2000, pp. 44-50

Authors: Muir, CD
Citation: Cd. Muir, Art and religion in seventeenth-century Antwerp: Van Dyck's 'Mystic marriage of the Blessed Hermann-Joseph', SIMIOLUS, 28(1-2), 2000, pp. 51-69

Authors: Bleyerveld, Y
Citation: Y. Bleyerveld, Assuerus and Esther at the court of Burgundy: On the reception of the 'Book of Esther' in the Netherlands (1450-1530), SIMIOLUS, 28(1-2), 2000, pp. 70-75

Authors: Van Eck, X
Citation: X. Van Eck, Dutch Classicism in seventeenth-century painting, SIMIOLUS, 28(1-2), 2000, pp. 75-79

Authors: Van Thiel, P
Citation: P. Van Thiel, 1650: Contested unity, SIMIOLUS, 28(1-2), 2000, pp. 80-86

Authors: Scheller, RW
Citation: Rw. Scheller, L'Union des Princes: Louis XII, his allies and the Venetian campaign 1509, SIMIOLUS, 27(4), 1999, pp. 195-242

Authors: Chiarini, M
Citation: M. Chiarini, Repertory of Dutch and Flemish paintings in Italian public collections, Vol 1, Liguria, SIMIOLUS, 27(4), 1999, pp. 243-244

Authors: Robinson, WW
Citation: Ww. Robinson, The Dutch drawings in the Teyler Museum, Vol 2, Artists born between 1575 and 1630, SIMIOLUS, 27(4), 1999, pp. 244-248

Authors: Adrichem, JV
Citation: Jv. Adrichem, Painting as a model, SIMIOLUS, 27(4), 1999, pp. 249-255

Authors: Adrichem, JV
Citation: Jv. Adrichem, Mondrian: The art of destruction, SIMIOLUS, 27(4), 1999, pp. 249-255

Authors: Adrichem, JV
Citation: Jv. Adrichem, Piet Mondrian catalogue raisonne, Vol 1, Catalogue raisonne of the naturalistic works (until early 1911), Vol 2, Catalogue raisonne of the work of 1911-1944, SIMIOLUS, 27(4), 1999, pp. 249-255

Authors: Jolly, A
Citation: A. Jolly, Netherlandish sculptors in sixteenth century Northern Germany and their patrons, SIMIOLUS, 27(3), 1999, pp. 119-143

Authors: Leuschner, E
Citation: E. Leuschner, Francesco Villamena's 'Apotheosis of Alessandro Farnese' and engraved reproductions of contemporary sculpture around 1600, SIMIOLUS, 27(3), 1999, pp. 144-167

Authors: Dijkstra, J
Citation: J. Dijkstra, Painting in Bruges at the close of the Middle Ages: Studies in society andvisual culture, SIMIOLUS, 27(3), 1999, pp. 168-170

Authors: Van der Coelen, P
Citation: P. Van Der Coelen, The Bible in print: Netherlandish Bible illustration in the sixteenth century, SIMIOLUS, 27(3), 1999, pp. 170-176

Authors: Grasman, E
Citation: E. Grasman, Cosimo de'Medici, ruler and republican: A study on the territorial prince image of the first Grand Duke of Tuscany (1537-1574), SIMIOLUS, 27(3), 1999, pp. 176-178

Authors: Sluijter, EJ
Citation: Ej. Sluijter, Emulating sensual beauty: Representations of Danae from Gossaert to Rembrandt, SIMIOLUS, 27(1-2), 1999, pp. 5

Authors: Kettering, AM
Citation: Am. Kettering, Gerard ter Borch's portraits for the Deventer elite (Dutch painting), SIMIOLUS, 27(1-2), 1999, pp. 46-69

Authors: Van Eck, X
Citation: X. Van Eck, The artist's religion: Paintings commissioned for clandestine Catholic churches in the northern Netherlands, 1600-1800, SIMIOLUS, 27(1-2), 1999, pp. 70-94
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