Citation: J. Wood, Orazio Gentileschi and some Netherlandish artists in London: The patronageof the Duke of Buckingham, Charles I and Henrietta Maria, SIMIOLUS, 28(3), 2000, pp. 103-128
Citation: X. Van Eck, Between restraint and excess: The decoration of the church of the Great Beguinage at Mechelen in the seventeenth century, SIMIOLUS, 28(3), 2000, pp. 129-162
Citation: Mve. Hommes, Discoloration or chiaroscuro? An interpretation of the dark areas in Raphael's 'Transfiguration of Christ', SIMIOLUS, 28(1-2), 2000, pp. 4-43
Citation: Cd. Muir, Art and religion in seventeenth-century Antwerp: Van Dyck's 'Mystic marriage of the Blessed Hermann-Joseph', SIMIOLUS, 28(1-2), 2000, pp. 51-69
Citation: Y. Bleyerveld, Assuerus and Esther at the court of Burgundy: On the reception of the 'Book of Esther' in the Netherlands (1450-1530), SIMIOLUS, 28(1-2), 2000, pp. 70-75
Citation: Jv. Adrichem, Piet Mondrian catalogue raisonne, Vol 1, Catalogue raisonne of the naturalistic works (until early 1911), Vol 2, Catalogue raisonne of the work of 1911-1944, SIMIOLUS, 27(4), 1999, pp. 249-255
Citation: E. Leuschner, Francesco Villamena's 'Apotheosis of Alessandro Farnese' and engraved reproductions of contemporary sculpture around 1600, SIMIOLUS, 27(3), 1999, pp. 144-167
Citation: E. Grasman, Cosimo de'Medici, ruler and republican: A study on the territorial prince image of the first Grand Duke of Tuscany (1537-1574), SIMIOLUS, 27(3), 1999, pp. 176-178
Citation: X. Van Eck, The artist's religion: Paintings commissioned for clandestine Catholic churches in the northern Netherlands, 1600-1800, SIMIOLUS, 27(1-2), 1999, pp. 70-94