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Results: 26-50/122
Authors:
Muller, JM
Citation: Jm. Muller, Rubens: Subjects from history, SIMIOLUS, 27(1-2), 1999, pp. 95-97
Authors:
Janssen, PH
Citation: Ph. Janssen, Masters of light: Dutch painters in Utrecht during the Golden Age, SIMIOLUS, 27(1-2), 1999, pp. 98-104
Authors:
Van Der Velden, H
Citation: H. Van Der Velden, Defrocking Saint Eloy: Petrus Christus's 'Vocational Portrait of a Goldsmith', SIMIOLUS, 26(4), 1998, pp. 242-276
Authors:
Bikker, J
Citation: J. Bikker, The Deutz Brothers, Italian paintings and Michiel Sweerts: New informationfrom Elisabeth Coyman's 'Journael', SIMIOLUS, 26(4), 1998, pp. 277-311
Authors:
Liedtke, W
Citation: W. Liedtke, Rembrandt: A genius and his impact, SIMIOLUS, 26(4), 1998, pp. 312-317
Authors:
De Vries, L
Citation: L. De Vries, Rembrandt: The painter at work, SIMIOLUS, 26(4), 1998, pp. 317-321
Authors:
Horst, D
Citation: D. Horst, War of images: Print graphics as medium of political confrontation in Europe under absolutism, SIMIOLUS, 26(4), 1998, pp. 321-325
Citation: The evolving canon of seventeenth-century Dutch and Flemish painting - Foreword, SIMIOLUS, 26(3), 1998, pp. 143-143
Authors:
Cornelis, B
Citation: B. Cornelis, Arnold Houbraken's 'Groote Schouburgh' and the canon of seventeenth-century Dutch painting, SIMIOLUS, 26(3), 1998, pp. 144-161
Authors:
Hecht, P
Citation: P. Hecht, Rembrandt and Raphael back to back: the contribution of Thore (Art criticism), SIMIOLUS, 26(3), 1998, pp. 162-178
Authors:
Slive, S
Citation: S. Slive, The Dutch Pelican I and II (Penguin Books, Dutch painting), SIMIOLUS, 26(3), 1998, pp. 179-186
Authors:
Vlieghe, H
Webb, D
Citation: H. Vlieghe et D. Webb, Flemish art, does it really exist?, SIMIOLUS, 26(3), 1998, pp. 187-200
Authors:
Brown, C
Citation: C. Brown, Revising the canon: the collector's point of view (Dutch masters), SIMIOLUS, 26(3), 1998, pp. 201-212
Authors:
De Vries, L
Citation: L. De Vries, Surveys: Yellow Pages or Guide Bleu? (Dutch painting, canon), SIMIOLUS, 26(3), 1998, pp. 213-224
Authors:
Koster, M
Citation: M. Koster, Reconsidering 'St Catherine of Bologna with Three Donors' by the Baroncelli Master of Bruges, SIMIOLUS, 26(1-2), 1998, pp. 4-17
Authors:
Cornelis, B
Filedt Kok, JP
Citation: B. Cornelis et Jp. Filedt Kok, The taste for Lucas van Leyden prints (In the areas of collections, distribution, reprinting, copying, and literature of art), SIMIOLUS, 26(1-2), 1998, pp. 18-86
Authors:
Kemmer, C
Citation: C. Kemmer, In search of classical form: Gerard de Lairesse's 'Groot Schilderboek' andseventeenth century Dutch genre painting, SIMIOLUS, 26(1-2), 1998, pp. 87-115
Authors:
Schmidt, VM
Citation: Vm. Schmidt, Picturing the Passion in late medieval Italy. Narrative painting, Franciscan ideologies, and the Levant, SIMIOLUS, 26(1-2), 1998, pp. 116-120
Authors:
Gibson, WS
Citation: Ws. Gibson, Pieter Bruegel, SIMIOLUS, 26(1-2), 1998, pp. 120-129
Authors:
VANRUYVENZEMAN Z
GASTEN A
Citation: Z. Vanruyvenzeman et A. Gasten, DEKEYSER,HENDRICK - DRAFTSMAN AND DESIGNER OF STAINED-GLASS (16TH-17TH CENTURIES), Simiolus, 25(4), 1997, pp. 283-302
Authors:
SCHOLTEN F
Citation: F. Scholten, DIEUSSART,FRANCOIS, HUYGENS,CONSTANTINE, AND THE CLASSICAL IDEAL IN FUNERARY SCULPTURE, Simiolus, 25(4), 1997, pp. 303-328
Authors:
DOWLEY FH
Citation: Fh. Dowley, THOUGHTS ON POUSSIN, TIME, AND NARRATIVE - THE 'ISRAELITES GATHERING MANNA IN THE DESERT', Simiolus, 25(4), 1997, pp. 329-348
Authors:
VANMIERLO H
Citation: H. Vanmierlo, AGAINST THE CURRENT - MASTERWORKS OF LOWER RHENISH SCULPTURE IN THE REFORMATION, 1500-1550 - GERMAN - ROMME,B, Simiolus, 25(4), 1997, pp. 349-352
Authors:
STONEFERRIER L
Citation: L. Stoneferrier, MIRROR OF EVERYDAY LIFE - GENREPRINTS IN THE NETHERLANDS 1550-1700 - DEJONGH,E, LUIJTEN,G, Simiolus, 25(4), 1997, pp. 352-358
Authors:
VELDMAN I
Citation: I. Veldman, HONDIUS,HENRICK AND THE BUSINESS OF PRINTS IN 17TH-CENTURY HOLLAND - ORENSTEIN,NM, Simiolus, 25(4), 1997, pp. 359-363