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Results: 101-122/122
Authors:
WUESTMAN G
Citation: G. Wuestman, THE MEZZOTINT IN HOLLAND - EASILY LEARNED, NEAT AND CONVENIENT, Simiolus, 23(1), 1995, pp. 63-89
Authors:
MULIER EH
Citation: Eh. Mulier, IN PRAISE OF HAARLEM - THE CITY-OF-HAARLEMS POLICY REGARDING CONFISCATED ARTWORKS FROM RELIGIOUS INSTITUTIONS - DUTCH - VANBUEREN,T, Simiolus, 23(1), 1995, pp. 90-92
Authors:
GILTAIJ J
Citation: J. Giltaij, DRAWINGS BY REMBRANDT AND HIS CIRCLE IN THE BRITISH-MUSEUM - ROYALTONKISCH,M, Simiolus, 23(1), 1995, pp. 92-102
Authors:
VANECK X
Citation: X. Vaneck, FROM DOUBT TO CONVICTION, CLANDESTINE CATHOLIC CHURCHES AS PATRONS OFDUTCH CARAVAGGESQUE PAINTING, Simiolus, 22(4), 1994, pp. 217-234
Authors:
MANUTH V
Citation: V. Manuth, DENOMINATION AND ICONOGRAPHY, THE CHOICE OF SUBJECT-MATTER IN THE BIBLICAL PAINTING OF THE REMBRANDT CIRCLE, Simiolus, 22(4), 1994, pp. 235-252
Authors:
HINTERDING E
Citation: E. Hinterding, THE HISTORY OF REMBRANDT COPPERPLATES, WITH A CATALOG OF THOSE THAT SURVIVE, Simiolus, 22(4), 1994, pp. 253-315
Authors:
VELDMAN IM
Citation: Im. Veldman, THE NETHERLANDISH AND GERMAN DRAWINGS OF THE 15TH-CENTURY AND 16TH-CENTURY OF THE LUGT,FRITS COLLECTION - BOON,KG, Simiolus, 22(4), 1994, pp. 316-322
Authors:
MIEDEMA H
Citation: H. Miedema, THE LITERATURE OF CLASSICAL-ART, VOL 1, THE PAINTING OF THE ANCIENTS,'DE PICTURA VETERUM' ACCORDING TO THE ENGLISH-TRANSLATION 1638, VOL 2, A LEXICON OF ARTISTS AND THEIR WORKS, 'CATALOGUS ARCHITECTORUM', TRANSLATED FROM THE ORIGINAL LATIN OF 1694 - ALDRICH,K, FEHL,P, REHL,R, EDITORS-TRANSLATORS, Simiolus, 22(4), 1994, pp. 323-326
Authors:
LUIJTEN H
Citation: H. Luijten, THE TOPOS OF PRAISE FOR THE SO-CALLED LIVING IMAGE, VOS,JAN AND HIS ZEEGE-DER-SCHILDERKUNST FROM 1654 - GERMAN - WEBER,GJM, Simiolus, 22(4), 1994, pp. 326-331
Authors:
HOOGENBOOM A
Citation: A. Hoogenboom, ART FOR THE MARKET - CONTEMPORARY PAINTING IN THE NETHERLANDS IN THE 1ST-HALF OF THE 19TH-CENTURY, Simiolus, 22(3), 1994, pp. 129-147
Authors:
VANADRICHEM J
Citation: J. Vanadrichem, COLLECTORS OF MODERN-ART IN HOLLAND - PICASSO AS PARS-PRO-TOTO, 1920-40, Simiolus, 22(3), 1994, pp. 148-198
Authors:
LEESBERG M
Citation: M. Leesberg, VANMANDER,KAREL AS A PAINTER, Simiolus, 22(1-2), 1993, pp. 5-57
Authors:
MIEDEMA H
Citation: H. Miedema, VANMANDER,KAREL - DID HE WRITE ART LITERATURE, Simiolus, 22(1-2), 1993, pp. 58-64
Authors:
VANWAGENBERGTERHOEVEN AA
Citation: Aa. Vanwagenbergterhoeven, THE CELEBRATION OF TWELFTH-NIGHT IN NETHERLANDISH ART, Simiolus, 22(1-2), 1993, pp. 65-96
Authors:
CAMPBELL L
Citation: L. Campbell, VANDERGOES,HUGO STYLISTIC DEVELOPMENT AND CHRONOLOGY - GERMAN - SANDER,J, Simiolus, 22(1-2), 1993, pp. 97-99
Authors:
MONTIAS JM
Citation: Jm. Montias, DE 'WERELD BINNEN HANDBEREIK' EXHIBITION COMPANION ESSAYS ON NETHERLANDISH COLLECTIONS OF ART AND RARITIES, 1585-1735 (DUTCH), Simiolus, 22(1-2), 1993, pp. 99-105
Authors:
VANECK X
Citation: X. Vaneck, LEYSTER,JUDITH, A DUTCH MASTER AND HER WORLD - WELU,JA, Simiolus, 22(1-2), 1993, pp. 105-109
Authors:
VELDMAN IM
Citation: Im. Veldman, IMAGES OF LABOR AND DILIGENCE IN 16TH-CENTURY NETHERLANDISH PRINTS - THE WORK-ETHIC ROOTED IN CIVIC MORALITY OR PROTESTANTISM, Simiolus, 21(4), 1992, pp. 227-264
DEKEYSER,HENDRICK HEEMSKERK MONUMENT - THE ORIGINS OF THE CULT AND ICONOGRAPHY OF DUTCH NAVAL HEROES
Authors:
LAWRENCE C
Citation: C. Lawrence, DEKEYSER,HENDRICK HEEMSKERK MONUMENT - THE ORIGINS OF THE CULT AND ICONOGRAPHY OF DUTCH NAVAL HEROES, Simiolus, 21(4), 1992, pp. 265-295
Authors:
BEDAUX JB
Citation: Jb. Bedaux, VELAZQUEZ 'FABLE OF ARACHE' (LAS HILANDERAS) - A CONTINUING STORY, Simiolus, 21(4), 1992, pp. 296-305
Authors:
VANRUYVENZEMAN Z
Citation: Z. Vanruyvenzeman, LOMBARD,LAMBERT - RENAISSANCE AND HUMANISM IN LIEGE - DUTCH - DENHAENE,G, Simiolus, 21(4), 1992, pp. 306-312
Authors:
GRASMAN E
Citation: E. Grasman, PITTORESCO - BOSCHINI,MARCO, HIS CRITICS, AND THEIR CRITIQUES OF PAINTERLY BRUSHWORK IN 17TH AND 18TH-CENTURY ITALY - SOHM,P, Simiolus, 21(4), 1992, pp. 312-315