Citation: Ns. Hellerstein, Temporal and existential structures in Simone de Beauvoir's Les 'Belles Images': Mechanical reproduction versus transcendence, SYMPOSIUM, 54(1), 2000, pp. 16-26
Citation: R. Veguez, 'Pedro Blanco, el Negrero': Fiction or fictionalized biography? Lino NovasCalvo and the subject of slavery in Cuban narrative, SYMPOSIUM, 54(1), 2000, pp. 43-56
Citation: N. Saleh, Subversive and plural perspectives in re-reading French and Francophone women's poetry - Introduction, SYMPOSIUM, 53(4), 2000, pp. 204-208
Citation: M. Bishop, Francoise Han, Louise Herlin, Claude de Burine, Silvia Baron Supervielle: Four poems, 'revant echos/mobilsant/etoiles', SYMPOSIUM, 53(4), 2000, pp. 209-219
Citation: F. Goulesque, 'The owl' who wanted to dance: Marie Krysinska, an innovator in free verseas well as a theoretician of modern poetry, SYMPOSIUM, 53(4), 2000, pp. 220-233
Citation: N. Saleh, Francophone women's poetry from sub-Saharan Africa: Searching for an identifying 'other' voice, SYMPOSIUM, 53(4), 2000, pp. 283-298
Citation: Pj. Archambault, The madwoman of the house in the prisons of the soul: Studies on the psychology of imagination in the 17th century, SYMPOSIUM, 53(3), 1999, pp. 187-189