Citation: E. Macphail, The ethic of timing and the origin of the novel: Speaking too soon in Rabelais and Cervantes, SYMPOSIUM, 52(3), 1998, pp. 155-164
Citation: Vc. Ferme, REDEFINING THE AESTHETICS OF FASCISM - THE BATTLE BETWEEN THE ANCIENTS AND THE MODERNS REVISITED, Symposium, 52(2), 1998, pp. 67-84
Citation: Ae. Vadillo, THE METAMORPHOSIS OF THE LINGUISTIC SIGN, CREATIVE ARTIFICE OF SARDUY,SEVERO IN THE ARTISTIC TEXT 'MAITREYA', Symposium, 52(2), 1998, pp. 95-103
Citation: Pj. Archambault, MIRABILE DICTU - REPRESENTATIONS OF THE MARVELOUS IN MEDIEVAL AND RENAISSANCE EPIC - BIOW,D, Symposium, 52(2), 1998, pp. 117-120
Citation: J. Hancock, THE POSTMODERN NOVEL IN LATIN-AMERICA - POLITICS, CULTURE, AND THE CRISIS OF TRUTH - WILLIAMS,RL, Symposium, 52(1), 1998, pp. 60-62
Citation: Pj. Archambault et J. Legoff, AUTOBIOGRAPHY AND THE HUNGER FOR HISTORY - AN INTERVIEW WITH LEGOFF,JACQUES, Symposium, 51(4), 1998, pp. 247-273