Citation: Ke. Westman, The first 'Orlando': The laugh of the comic spirit in Virginia Woolf's 'Friendships Gallery', TWEN CT LIT, 47(1), 2001, pp. 39-71
Citation: Ej. Ahearn, The modern English visionary: Peter Ackroyd's 'Hawksmoor' and Angela Carter's The 'Passion of New Eve', TWEN CT LIT, 46(4), 2000, pp. 453-469
Citation: S. Henstra, Looking the part: Performative narration in Djuna Barnes's 'Nightwood' andKatherine Mansfield's 'Je Ne Parle Pas Francais', TWEN CT LIT, 46(2), 2000, pp. 125-149
Citation: O. Harris, Cold War correspondents: Ginsberg, Kerouac, Cassady, and the political economy of Beat letters, TWEN CT LIT, 46(2), 2000, pp. 171-192
Citation: Rm. Greenberg, Anger and the alchemy of literary method in V.S. Naipaul's political fiction: The case of The 'Mimic Men', TWEN CT LIT, 46(2), 2000, pp. 214-237